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Here are just a few of the many teachers offering Drum lessons in Seattle . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Guitar Voice Trumpet Drums Bass Guitar Mallet Percussion Orchestral Percussion Latin Percussion
I am primarily a percussionist, with over 10 years of expierience playing and performing in jazz bands, marching bands, musical theatre, small ensembles, wind ensembles, and symphonies, and I was the principle percussionist for 2 years while I was in college. I also have 5 years of expierience on the trumpet, 15 years of guitar, as well as expierience with many other instruments. I love to perform as well as teach, and I believe that classical and contemporary do not have to be at odds, and I work hard to incorporate both into my own performances as well as when I teach. Read More
Instruments: Piano Drums Orchestral Percussion Latin Percussion Music
I have taught in the classroom, small group settings as well as one on one in both piano and drumset. My favorite thing about music instruction is connecting with the students on a musical and personal level. I started studying piano at the age of 5, making it my career as a teacher after college and into adult life. Choosing to focus more on drumset and percussion studies at the age of 11, I then studied Percussion Studies in College, playing in many bands and in multiple styles. Read More
Instruments: Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion
With each lesson, my main goal is to provide an atmosphere that is engaging and to cater to each student's needs. At the end of the day, I want to see my students not only grow in musicianship and technical skills, but also in their love and appreciation for music. While I primarily teach through method books and other pre-existing teaching material, I individualize my approach to each student because I understand everyone has a different way of learning. Read More
Instruments: Piano Trumpet Drums Conga Latin Percussion Music Keyboard
I began the study of trumpet in 1965 under the instruction of Les Beigle, noted Seattle trumpeter. In 1969, I graduated from Snohomish (WA) High School, where he played solo trumpet in the high school band under the direction of Edward Peterson. I received his Bachelor of Music degree with honors from Cornish College of the Arts in Seattle in 1980. Instructors included Gary Peacock, Jim Knapp, Butch Nordal, Art Lande, and Julian Priester. Read More
Instruments: Drums Mallet Percussion Orchestral Percussion Djembe
I have been teaching percussion lessons since 1994. Along with my full teaching studio, I also perform regularly and coach the Tacoma Youth Symphonies and Bellevue Youth Symphony Orchestras. I have also taught within the Auburn (WA) and Tucson (AZ) public schools as a percussion and music specialist, at The University of Rio Grande (OH) as an affiliate faculty member, at Ohio University and The University of Arizona as a Graduate Teaching Assistant, at Interlochen Arts Camp (MI) as the All-State percussion instructor, and at New England Music Camp (ME) as a faculty member. Read More
Instruments: Drums Mallet Percussion Orchestral Percussion
I've been teaching since 1998 and sincerely enjoy helping kids of all ages learn and excel playing drums and percussion. In 2000 I opened a drum studio in central California where I gave drum and percussion lessons to children as young as three years old to adult retired hobbyists. While running my own drum studio I also taught for Connecting Waters Charter School. Teaching drums for me is very rewarding and I take pride in giving the student all the benefit of my experience. Read More
Instruments: Trumpet Trombone Clarinet Drums Mallet Percussion Conga Latin Percussion Djembe
I make my own lesson materials using musical notation software and cater the lesson to the needs of the student. Every student is different and requires special attention. For example, a beginner percussionist would start off learning how to read and notate rhythms all the way up to 16th notes to start. I would then move into how to hold drum sticks and how to hit a drum. I would build upon these concepts to facilitate lessons to come and tailor the lesson to the individual. Read More
Instruments: Clarinet Music
If you weren't a musician what do you think you'd be doing instead?
As previously mentioned, I entered college as a clarinet performance and chemistry double major with intentions of a career in public health. I had aspirations to work at the Center for Disease Control or to conduct research at a hospital. As my life progressed over the years, however, I now believe that my disposition and particular skill set would have been well suited for law school. Beyond that I could imagine myself being a prosecutor or taking some form of public office. The thought of serving my home community of Portland, ME in some capacity has always been appealing to me.
If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I originally enrolled at Boston University in the Dual-Degree program studying to receive my BM in Clarinet Performance and my BS in Chemistry. I wanted to play my clarinet, but my intentions were to pursue a career in research and public health. Well into the first year of college, in order to keep up with the high demands of my teacher, I was forced to re-think my approach to the clarinet and its position within my life. I arrived at the decision to drop my second degree and devote my time and energy to cultivating a multi-faceted career in music.
How do I know if my child is ready to start lessons?
There are a lot of things to consider when starting a child on an instrument. Among the most important - from my perspective - are that the student's fingers are able to cover the keys and that they are excited about playing the instrument.
The physical capacity to cover the keys is essential to playing clarinet. The instrument will not respond properly if the tone holes are not completely covered. Beyond technicalities, the happiest and most successful young students are typically the ones that are enthusiastic about playing their instrument.
Why did you choose your primary instrument?
My first encounter with the clarinet came when I visited family for Christmas in 2004. My cousin had just gotten a new clarinet from school and was going to be starting band after Christmas break. I was jealous (and a little too competitive), and bugged my parents to start playing as well. My first clarinet was a First Act factory model from BJ's Wholesale Club. The manufacturer packaged it incorrectly and sent me two bottom joints! I remember being so annoyed that I could not start playing immediately. I have since moved on to a few instruments, but still have my very first clarinet!
What does a normal practice session look like for you?
My day-to-day life is so sporadic, I find it difficult to have a set routine in my practice. Typically, though, I touch upon each of these categories for any given amount of time:
-Warm-Up (long tones, scales/patterns, articulation exercises, etc.)
-Repertoire (practice orchestral/chamber/solo rep for future performances)
-Sight-Reading (etudes & repertoire to expand my musical vocabulary and style)
In an ideal world, I spend about an hour in the first category (warm-up), as much time as possible in the second category (repertoire), and cool-down with the final category (sight-reading). By breaking up my practice, I tend to stay more actively engaged. It is important not to bore yourself!
What advice do you have about practicing effectively?
Think actively and listen objectively. Most of my less productive practice sessions are a result of either distraction or mindlessly running passages.
Distractions (phone, hunger, friends, etc.) lead to passive practicing. Those practice sessions tend to result in thinking: "didn't I figure this passage out the other day?" Constant running of parts has a similar effect. Be engaged while you play, and be deliberate with your practice.
No practice technique is infallible, but maintaining focus is a good start.
24 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Drum lessons in Seattle to students of all ages and abilities.
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