Clarinet Lessons in Dayton, PA

Instruments: Clarinet

In 2019, I received the Semper Fidelis award from the Marine Corps in recognition of my diligence, dedication and musical excellence as a performing high school bandsman and soloist. I continued my clarinet studies at the University of Pittsburgh, where I recently graduated with a major in Music Performance alongside my additional major in Computational Biology. I have served as principal clarinetist of the University of Pittsburgh Symphony Orchestra since my freshman year of college, and have played in several chamber groups. Read More

Instruments: Piano Clarinet

For beginning students, I typically use a combination of methods. For clarinet teaching, I like to use the Breeze-Easy method and also some materials from the Rubank method books. For intermediate or school-aged students, I like to supplement the material they are learning in school. I like to continue to use Rubank, Klose, and Rose books to continue to develop technique and musicality. For more advanced students or adult learners, I try to cater to the specific interests of the student while continuing to work on improving fundamental skills on the instrument. Read More

Instruments: Saxophone Clarinet

For beginning and intermediate clarinet and saxophone students I like using the Yamaha Advantage books or the Belwin Series. I like to use these lesson books and supplement with solo and duet material. I always encourage my students to bring in material they'd like to work on, from school band music to popular tunes they are intereseted in learning. I think it is important for all aspiring musicians to collaborate with others and make sure to play along with students in our lessons. I ask my students to plan their practice time each week, as I know how busy we all are! Read More

Instruments: Clarinet

I am a dedicated clarinetist and private teacher in the Pittsburgh area, currently pursuing a Master of Music in Clarinet Performance degree at Carnegie Mellon University. I have travelled across the east coast to perform in venues including Carnegie Hall in New York City and The Kennedy Center in Washington D.C. In May 2021, I recieved my Bachelor of Music of Clarinet Performance from Temple University. My main studies have been with Michael Rusinek (Pittsburgh Symphony Orchestra), Sam Caviezel (Philadelphia Orchestra), and Wayne Titerence (US Air Force Band). Read More

Instruments: Piano Saxophone Flute Clarinet Music Keyboard

Students will not continue studying, practicing, and performing if they don't enjoy the lesson experience and relationship with their teacher. Learning happens most meaningfully and rapidly (not to mention is sustained) when students connect with their teacher, and that most easily occurs when teachers are in tune with their students' interests and goals. As a former music student who sometimes had very little input in what I learned on certain instruments, I remember the boredom and sometimes dread on the lesson day! Read More

Instruments: Saxophone Flute Clarinet

I am a versatile musician who has experience in all kinds of music and performance situations. In 2017, I graduated from Duquesne University with a Bachelor of Music in Music Technology, while also extensively studying classical and jazz saxophone. Currently, I am preparing to graduate with my Master in Music Performance with a jazz concentration from Duquesne University, and have served as graduate assistant to the jazz department during my graduate studies. Read More

Instruments: Piano Guitar Voice Trumpet Trombone Saxophone Flute Clarinet Drums Ukulele Recorder French Horn Piccolo Orchestral Percussion Keyboard Electric Guitar Djembe

For piano students, I prefer Alfred's methods, whether the adult or for beginners. For band and orchestra, I use Essential Elements (or whatever their school is using), and supplement with Rubank's methods. For voice, I concentrate on whatever the student is interested in, with a foundation of good technique and understanding of the voice range and how to control it, with some solfege and sight-singing mixed in. Whatever the instrument, I follow and listen to the student to understand what they need, and change my curriculum to suit them. Read More