Clarinet Lessons in Coupland, TX

Instruments: Piano Guitar Saxophone Flute Clarinet Keyboard Electric Guitar Acoustic Guitar

I usually balances the time by working first on fundamental/technical aspects of the instrument: intonation, articulation, rhythm, and tone; followed by study of the particular student's chosen repertoire, whether it be jazz standards, rock/pop/blues tunes, classical literature or etudes. I believe in teaching students to organize their practice time wisely, isolating specific issues on the instrument. Cultivating personal musical goals with each student is also very important, in order to maximize the student's enjoyment of the time they spend playing. Read More

Instruments: Piano Saxophone Flute Clarinet

I am a University of North Texas graduate. I studied with Jim Riggs and Dr. Eric Nestler and played in the top lab bands and classical ensembles while attending school. I later moved to NYC where I started my professional playing career. I lived there for 14 years playing with several music ensembles and studied with Bill Blount on clarinet and Lorrie Glaze on piano. I played on Broadway musicals like Avenue Q and Women on the Verge of a Nervous Breakdown. Read More

Instruments: Saxophone Flute Clarinet

I've been a serious musician since taking up (baritone) saxophone at age 13, over 40 years ago. I first took up clarinet at 10, and later added flute, but saxophone has been my main focus over the years. I play around the Austin area in a variety of settings from big bands to musicals to rock/blues groups to studio recording to classical ensembles; pretty much whatever is asked for. Some of my previous teachers include Jim Riggs at the University of North Texas, Harvey Pittel at the University of Texas, Jeff Elwood at California State University Fullerton, and Joe Eckert at TCU. Read More

Instruments: Piano Saxophone Flute Clarinet

I set realistic goals for each student, and I encourage each student to practice to meet their goals each week. I also make myself available to all students at anytime for questions during their practice. I have a system of teaching jazz improvisation that ensures that every student can play and read changes. I take all of the bad habits away from each student to promote healthy performing habits. Read More

Instruments: Saxophone Flute Clarinet Piccolo Oboe Bassoon

There are many terrific methods and books available for musical development. An easy and enjoyable starter is Essential Elements. The Eubanks series is good, especially the advanced flute book one. There are some great solo books especially the Kris books 1-3 that come with nice piano accompaniments. Students really benefit from scale technique development coupled with arpeggio and varied articulation studies like Klose for Clarinet and Melodiusvand Progressive Studies for Saxophone. Read More

Instruments: Piano Guitar Voice Violin Saxophone Clarinet Drums Bass Guitar Synthesizer Keyboard Electric Guitar Classical Guitar Acoustic Guitar

My process is based on (but does not adhere strictly to) the Classical approach to Western tonal harmony and asks that the students develop certain fundamentals of technique and theory.  In my experience, this structure creates the strongest foundation for pupils to build the rest of their musical lives on, whether professionally or solely for personal enjoyment.  All of my students are on the fast track to studying music theory. Read More

Instruments: Piano Guitar Voice Flute Clarinet Recorder French Horn Piccolo Oboe Keyboard Electric Guitar Acoustic Guitar

I never assume a student cannot succeed. Progress comes quickly with a variety of songs supported by successive exercises and methodology. Parental involvement is highly recommended and I try to work with parents to determine motivational techniques. I have found that students need a regular practice time 4 to 5 times a week, even if it is only a few minutes at a time; but, hopefully, we can find music that they like to sit down and play. Read More