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Featured Cello Teachers Near Chelmsford, MA

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Here are just a few of the many teachers offering Cello lessons in Chelmsford . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Monroe R

Instruments: Cello

I am a younger instructor who is very excited and passionate about the inter- and intra-personal aspects of music and teaching music. First discovering my love of performing and problem solving through chamber music, I have since received a dual degree from UMass Amherst in Music and Social ThoughtPolitical Economy, and I am now pursuing my Masters of Music in Cello Performance at Boston University. One of my biggest challenges and fascinations with music has been how to balance efficiency and honesty with kindness and graciousness in working with others and myself, and it's something I love to explore with my students. Read More

David F

Instruments: Piano Cello

I am trained in the Suzuki method and will typically start my beginning cello students in this if they are not already interested in another method. If you are interested in a different method I will typically alter my teaching to accommodate. Early lessons typically work on establishing a strong technical foundation so the student will be able to pursue music that speaks to them. Pianists will typically begin with Faber's early music books. Read More

Sara W

Instruments: Piano Cello Trumpet Trombone Flute Clarinet Double Bass Euphonium

I have over 15 years experience teaching privately as well as teaching band and orchestra in public schools. At one time I taught thirty-eight, half hour band and orchestra sessions every week. This included private Jazz ensembles and orchestra—all at the Elementary level. I taught 4th and 5th grade band and orchestra for the San Ramon Valley School District for 5 years as well as after-school ensembles for 9-11 year olds. Read More

Alexander F

Instruments: Cello

I believe a major key to success in learning music is finding the methods and concepts that click for you. There are infinite ways to think of a phrase or harmonic relationships and I work to learn which connections make sense to you. One major takeaway from my own education has been how to listen to my playing objectively and free of self-judgement. I constantly encourage my students to develop a similar mindset, since I see self-encouragement as much more important than encouragement from a teacher or an audience. Read More

Minjung K

Instruments: Cello

Every student has different pace of of growth. The most important goal in my teaching for both students and myself is making a progress. Little encouragement helps students to not to lose their interest in music, and continue to work harder to improve. However, sometime little bitter reality is also needed. With a good combination of both, I lead my students to set their realistic goals and help them achieve them. Read More

Nicolas S

Instruments: Cello

I emphasize ergonomic/body comfort in playing the cello.  Comfort is most important before being able to progress and reach technical heights.  There is no formula for any single student to make progress.  I work with students to discover their goals on the cello, and to help them expand as instrumentalists, musicians and human beings.   Musically, I focus heavily on music theory which I will explain as necessary.  I place importance on theory because it allows an understanding of musical patterns that can be easily applied on the cello. Read More

Lexine F

Instruments: Cello

I primarily use Hal Leonard's Essential Elements books for all of my beginner and intermediate students, and for adult students, I supplement them with Gabriel Koeppen's Cello Method books. For more advanced students, I will work with their current repertoire to determine what skills they can further develop by assigning them new and more challenging pieces or etudes (such as Popper or Piatti) based on their needs. I assign all of my students age and level-appropriate pieces at regular intervals in addition to their books or etudes, ranging from short and simple pieces to highly technical showpieces or concertos. Read More

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