Bass Lessons in Brooklyn Park, MD

Instruments: Bass Guitar Double Bass Tuba

When I was teaching in the F.H. LaGuardia High School of Music and Art & The Performing Arts I went into the classroom each day with a message imparted to me from educator mentors such as Clem DeRosa, John LaPorta, and Leon Breeden. The message was to give your best, as each generation is owed the best if they are to succeed. In that school I was assigned certain tasks as a former bass teacher of mine Dr. Read More

Instruments: Guitar Bass Guitar Music Electric Guitar Acoustic Guitar

As I've stated before, I really like to focus on how to play the instrument effectively. Proper posture, finger placement, finger pressure and articulation are all part of playing the proper technique. It also helps to minimize fatigue during countless hours of practice. Also, one of the main things in to make sure that the student is practicing on a daily basis and to develop their own practice regimen. Developing a love for the instrument, bordering on healthy obsession, is the key to progressing as a guitar player. Read More

Instruments: Guitar Bass Guitar Electric Guitar Acoustic Guitar

Firstly, I teach the student the anatomy of the guitar and how to tune it, along with how to hold a pick. After that, I start teaching students how to identify notes on the fretboard. When they have a good grasp on that, I start to teach the basic modes, such as the major, minor, pentatonic, blues, lydian, mixolydian, and dorian modes, and while they are learning these, I give them exercises that use these modes to increase the student's mechanical skill, such as going up and down the scales in patterns of three/four/etc. Read More

Instruments: Guitar Bass Guitar Electric Guitar Acoustic Guitar

My teaching method depends on what the student wants to learn, if they prefer to start learning songs first that is fine but I will still make sure to cover basic music principles in early lessons and incorporate them into the lessons. I need and expect my students to practice at least 15 minutes of per day, more if possible. This will enable me to not have to review previous lessons too much and we can move through more material quicker. Read More

Instruments: Piano Guitar Drums Bass Guitar Synthesizer Mallet Percussion Orchestral Percussion Conga Music Keyboard Electric Guitar Acoustic Guitar

With my teaching style, I try to maintain open lines of communication as much as possible. This means learning about students, them learning about me, and feeling comfortable in communicating their roadblocks in music. Music is an expressive art form, and I believe that being able to effectively communicate with students will lead to a better instruction - students feel more comfortable performing and explaining issues, and teachers can cater to the learning styles of those students, which expedites the learning process and creativity. Read More

Instruments: Piano Guitar Bass Guitar

Hello, My name is Joshua. I am musician in the Baltimore/Annapolis Area. I love playing live, writing and composing, and of course teaching music. I graduated from the University of the Arts in 2008 with a BA degree in Jazz Performance. I specialize in contemporary forms of music ranging from pop/rock to gospel and jazz. I have performed in various bands and projects over the past 10 years. I am currently a music director at two churches and frequently play all types of venues from weddings to night events. Read More

Instruments: Piano Guitar Voice Saxophone Bass Guitar Organ Music Keyboard

My approach seeks to breathe air under the wings of the students' interest and attention by making them a constant starting point, while also laying the groundwork of introspection for students to develop and apply their own practices of learning, exploration, and innovation going forward. My teaching methods focus on considering embodied experiences of music, as well as a range of philosophical considerations. Students will be encouraged to think about how feelings, subjectivities, sounds, and spaces interact in complex ways, along with a series of other metaphysical questions that I believe are essential to a holistic praxis of understanding and learning music. Read More