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Featured Saxophone Teachers Near NYC, New York

4320   5 STAR Musika Reviews

Here are just a few of the many teachers offering Saxophone lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

John C

Instruments: Piano Trumpet Saxophone Flute Clarinet Music Keyboard

I focus on tone production, articulation and phrasing. Sight reading, improvisation and music theory follow next. With clarinet and saxophone students I spend a lot of time on reed selection and care. There are so many misconceptions about reed strength and how it relates to mouthpieces that I could talk about it all day (and usually do). I work on clarinets and saxophones every day and consider myself proficient in identifying problems with instruments and then fixing those problems. Read More

Jordan P

Instruments: Trumpet Saxophone

For beginning students, I start with Accent on Achievement, book one. Once the student has gotten a grasp of the fundamentals, I then introduce solo repertoire that is appropriate for the student. I will always reference the method book if students are having trouble with a certain technique. For beginning jazz students, I start with the Greg Fishman Jazz books. Once students have mastered this book, I then switch to the omnibook and real book and allow students to learn and try to improvise a solo. Read More

Andreas M

Instruments: Saxophone Clarinet

Philosophy Every student, musician and person is different. I think it's my job to find out what inspires and motivates each student, and guide them towards their goals. I think it's important that it has to be fun to be interesting, and the other way around, only then can the student reach their full potential as a musician. At the core my goal is for the student to improve, and enjoy how wonderful it is to play music. Read More

Ashley W

Instruments: Piano Voice Cello Saxophone Bass Guitar Double Bass Keyboard

During the first lesson, I have a short discussion with the student to see what their goals are. I also ask what about music interests them. I then ask them to perform anything of their choice to assess their ability level (if applicable). After that, I tell them what immediately needs to be addressed and how this will work with their longterm goal. Then, based on their progress, we set benchmark goals that are adjusted according to their pace. Read More

David M

Instruments: Saxophone Music

Hello! As an instructor, I am motivated to find where your passions lie and bring them to their fullest potential. I am classically trained, but discovered my love for jazz music at a young age. In 2018, I graduated from Bowling Green State University with a Bachelor of Music degree in Jazz Studies (saxophone). I am currently in pursuance of my Masters of Music at the City College of New York, and will be graduating Spring 2020. Read More

Julian B

Instruments: Saxophone Flute Clarinet

I began teaching private lessons eight years ago during college. By the end of 2015 I had a studio of over 30 students. I tend to focus on developing a student's sound concept first, so that they can get a beautiful sound out of the instrument at an early age. I also encourage students to play ear-training games and develop an independent melodic sensibility early on. My students have excelled in audition-only honor's ensembles, All-State Bands, band assessments, and some have even written their own songs and performed in recitals. Read More

Marjorie L

Instruments: Piano Voice Saxophone Clarinet Recorder

Incidentally, I started teaching when I was still learning myself; in grade-school, on the recorder. I learned early on that my ability to play by memory and through ear afforded me a stark intuitive advantage over peers my own age; naturally, they came to me during our shared lessons to inquire about my talent. While neither of my abilities was necessarily a teachable factor, they did endow me with the ability to "know" my music - through a bit of compositional translation, I was able to share tidbits of knowledge among my colleagues. Read More

Teacher In Spotlight

Lena B

Instruments: Saxophone Flute Clarinet Music

What musical accomplishments are you most proud of?
Finding my own voice and freeing myself from academic pressure. Many students start studying music as something external, a subject to master. But as they progress, music becomes who they really are and they find this intimate, personal connection that makes a life full of meaning.

Why did you choose your primary instrument?
I do not know, why. I never chose it. The idea came to me suddenly, like an irresistible urge, to go and buy an saxophone and start playing right away. When that happened, I already was a well-known singer-songwriter and a jazz vocalist.

Did you have a teacher that inspired you to go into music? How did they inspire you?
My childhood teachers did not inspire me, but scared me off and strongly traumatized me - they were oppressive, violent, rude and very academic. I decided to study music for real in spite of them, because I was sensing that there is something very different about music than what they were trying to do to me. Music for me was my parents' jazz and classical records, my family playing piano and improvising. For me, it was natural to play, sing and improvise - and my teachers, unfortunately, made it very unnatural and fear-based, fear of mistakes. This is the reason why I decided to start teaching and help people to de-stress themselves, to feel joy and pleasure in music, to find relaxation and good feeling about oneself.

When will I start to see results?
You may see the obvious results already after the first lesson. The first lesson will already enable you to play a simple melody. Seeing and feeling the results is very important to keep being motivated, so I try to help you to start playing right away. For that reason, a one-hour first lesson is highly recommended, instead of the usual 30-min introduction. A woodwind instrument is a combination of operating the instrument and operating one's own body and breathing.

What advice do you have about practicing effectively?
Try to touch the instrument every day, even if only for 5 minutes. When playing, play as slow as to feel completely comfortable, without making mistakes or losing focus. Play the material that feels moderately challenging, not totally easy and not too difficult to manage. Keep breathing calmly, deeply.

How do I know if my child is ready to start lessons?
Make sure he/she listens to music or hears musicians perform live. Imagination in lessons is more important than mechanical skills. For woodwind instruments, it is not recommended that a child starts lessons before she/he can physically reach all keys on the instrument without strain on the body. Usually it is a minimum of 7 years old. Although there are training woodwinds made of plastic, Nuovo brand.

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