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Featured Saxophone Teachers Near NYC, New York

4313   5 STAR Musika Reviews

Here are just a few of the many teachers offering Saxophone lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Christopher B

Instruments: Saxophone

Nothing is more rewarding than seeing one of my students develop a passion for music! Therefore, it's important that each student progresses at his or her own pace. I encourage this by setting realistic goals for my students at each lesson. Acknowledging accomplishments helps fuel a students desire to progress, and makes students eager to learn more. By trying to find out what inspires the student, I can successfully tailor my instruction to their wants and needs. Read More

Daniel J

Instruments: Saxophone Flute Clarinet

New York-based musician Daniel Jamieson grew up in Toronto, Canada. He currently works as a free-lance composer, conductor, woodwind specialist, and educator. Daniel's writing commissions span a variety of styles including jazz, pop, and musical theatre. He leads a 10 piece jazz ensemble, the Daniel Jamieson Tentet and his own big band, the Danjam Orchestra. Daniels acclaimed 2011 debut release, SUDDEN APPEARANCE, places him at the forefront of the current crop of young big band leaders.The project was produced by Jim McNeely and featured John Riley on drums. Read More

Robert G

Instruments: Saxophone Clarinet

He spent his formative years as a classical cellist and picked up jazz saxophone at age 15. Since 15, he has been primarily a saxophone player and music producer, with a passion for the progression of Black American Music. He has toured with both Bobby Watson and Bobby Broom and performed with artists such as Sean Jones, Tim Green, Brandon Woody, Fredrick Sanders, Frank Lacy, Ameen Saleem, Quincy Phillips, Kris Funn, Marshall Gilkes, and Christian McBride. Read More

Andrew P

Instruments: Saxophone Flute Clarinet Recorder

I believe that lessons should be catered towards the unique musical goals of the individual. I take pride in finding new ways to teach proper fundamentals and habits in new students, that will ensure long-term success on their instrument, and allow them to explore whichever avenue in music they wish to pursue. For students interested in learning jazz, I emphasize ear training and rhythmic feel, while introducing more advanced theory and technical studies. Read More

Ashley W

Instruments: Piano Voice Cello Saxophone Bass Guitar Double Bass Keyboard

Music is a powerful tool in expanding one's understanding of academics, emotions, and culture; among a variety of other things. I began studying music in a performing arts academy at the age of 10. While there, I studied saxophone, cello, double bass, and voice. I continued to major in music throughout high school. While there, I studied within the jazz ensemble, wind ensemble, concert band, marching and pep bands, and saxophone quintet. Read More

Aquiles N

Instruments: Trumpet Trombone Saxophone Clarinet Drums Synthesizer Conga Latin Percussion Music Keyboard

Aquiles Navarro is a New York-based trumpeter, composer and DJ of Panamanian heritage. He derives his sounds from folkloric music, salsa, and reggae. This eclectic music background, based on his upbringing in Panama has led him to collaborate with folkloric musicians, dancers, visual artists, actors, and poets. He studied in Panama with tenor player Carlos Garnett and trumpeter Victor “Vitin” Paz. After moving to the US, he received a Bachelor's degree in Jazz Performance at the New England Conservatory, and a Master’s degree from the Frost School of Music at the University of Miami where he studied with trumpeter Brian Lynch. Read More

Teacher In Spotlight

Lena B

Instruments: Saxophone Flute Clarinet Music

What musical accomplishments are you most proud of?
Finding my own voice and freeing myself from academic pressure. Many students start studying music as something external, a subject to master. But as they progress, music becomes who they really are and they find this intimate, personal connection that makes a life full of meaning.

Why did you choose your primary instrument?
I do not know, why. I never chose it. The idea came to me suddenly, like an irresistible urge, to go and buy an saxophone and start playing right away. When that happened, I already was a well-known singer-songwriter and a jazz vocalist.

Did you have a teacher that inspired you to go into music? How did they inspire you?
My childhood teachers did not inspire me, but scared me off and strongly traumatized me - they were oppressive, violent, rude and very academic. I decided to study music for real in spite of them, because I was sensing that there is something very different about music than what they were trying to do to me. Music for me was my parents' jazz and classical records, my family playing piano and improvising. For me, it was natural to play, sing and improvise - and my teachers, unfortunately, made it very unnatural and fear-based, fear of mistakes. This is the reason why I decided to start teaching and help people to de-stress themselves, to feel joy and pleasure in music, to find relaxation and good feeling about oneself.

When will I start to see results?
You may see the obvious results already after the first lesson. The first lesson will already enable you to play a simple melody. Seeing and feeling the results is very important to keep being motivated, so I try to help you to start playing right away. For that reason, a one-hour first lesson is highly recommended, instead of the usual 30-min introduction. A woodwind instrument is a combination of operating the instrument and operating one's own body and breathing.

What advice do you have about practicing effectively?
Try to touch the instrument every day, even if only for 5 minutes. When playing, play as slow as to feel completely comfortable, without making mistakes or losing focus. Play the material that feels moderately challenging, not totally easy and not too difficult to manage. Keep breathing calmly, deeply.

How do I know if my child is ready to start lessons?
Make sure he/she listens to music or hears musicians perform live. Imagination in lessons is more important than mechanical skills. For woodwind instruments, it is not recommended that a child starts lessons before she/he can physically reach all keys on the instrument without strain on the body. Usually it is a minimum of 7 years old. Although there are training woodwinds made of plastic, Nuovo brand.

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