Voice Lessons in New Midway, MD

Instruments: Piano Guitar Voice Drums Bass Guitar Synthesizer Accordion Harmonica Lap Steel Guitar Banjo Ukulele Mandolin Mallet Percussion Orchestral Percussion

Hello! My name is Donovan, and I am an instructor who specializes in ear training and technique. Originally being a self-taught musician, I began with piano and harmonica, then eventually branched out to guitar, bass, banjo, among several others. I have ran sound equipment from an early age as well, learning how to set rigs for full bands and how to mix and master tracks for recording purposes. I have met and played with many famous and unfamous musicians, and find that the highest amount of talent is undiscovered and uncultivated. Read More

Instruments: Voice

I have a deep enthusiasm and excitement for helping young people reach their musical goals. I enjoy helping my students develop knowledge of the vocal apparatus and mechanics of singing and breathing. In the studio I can find examples of or demonstrate vocal techniques and styles. I have found that most students respond well to the use of imagery to extract the emotional component of singing and I find that my flexibility, energy, ability to maintain focus on objectives, and my ability to communicate musical concepts and instructions clearly is essential to getting my students to produce better sounds. Read More

Instruments: Voice

For Voice: Bel Canto technique Eurythmics Dramatic analysis of text/music for understanding of musical line and interpretation. For Harp: Grandjany method Read More

Instruments: Voice

Each student has individual strengths, weaknesses, physical and emotional needs and goals for their singing, and it is my responsibility as a teacher to meet students where they are. By facilitating a safe and low-pressure learning environment during a lesson, the student is free to explore their own abilities, experiment through trial and error, and fully flourish on their singing journey. I believe good technique is best discovered through the diligent study of scales and vocalises, which are then incorporated into whatever repertoire they are interested in working on. Read More

Instruments: Voice Saxophone

First of all I feel the student should be comfortable and relaxed with playing music you shouldn't be tense (hence the pocket). Secondly, they should know every aspect of their instrument. And thirdly, they should know how to hold and play their instrument (with fingers or mouth). also through some music theory in. But, foremost I want the student to enjoy playing so, they can pick what ever they want to learn. Read More

Instruments: Voice

In addition to teaching students with diverse backgrounds, I have taught students in extremely diverse repertoire as well, including contemporary commercial music and classical repertoire. I use my knowledge of 21st century pedagogy including anatomy, biomechanics and acoustics to help my students perfect their artistic craft in varied genres. Additionally, I apply my expertise in psychology, specifically motor learning, to facilitate their skill acquisition. Furthermore, psychological preparation is as crucial as one’s vocal preparation. Read More

Instruments: Piano Voice Violin Viola Music Keyboard

My approach to teaching is to come in with a detailed plan I'm ready to throw out the window. Music should be fun! Sometimes we have to work hard to make sure it is fun for the long run, but work doesn't need to be unenjoyable. For the kids and kids at heart, I incorporate movement games and Orff instruments. Those that consider themselves to be adults will have a bit more sedate fun and games. Read More