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Instruments: Piano, Saxophone, Flute, Clarinet, Music, Keyboard
Students will not continue studying, practicing, and performing if they don't enjoy the lesson experience and relationship with their teacher. Learning happens most meaningfully and rapidly (not to mention is sustained) when students connect with their teacher, and that most easily occurs when teachers are in tune with their students' interests and goals. As a former music student who sometimes had very little input in what I learned on certain instruments, I remember the boredom and sometimes dread on the lesson day! Read More
Instruments: Piano, Saxophone, Flute, Clarinet
I structure my lessons in the same way I structure my own personal practice. I usually start off with a few technical exercises, then cover some theory, and then work on repertoire. How much time goes in to each category will depend on the student. A beginner tends to need more time on technique, whereas someone who has an audition or recital coming up will spend most of their time on repertoire. Read More
Instruments: Piano, Guitar, Voice, Violin, Viola, Trumpet, Trombone, Saxophone, Flute, Clarinet, Ukulele, Euphonium, French Horn, Tuba, Oboe, Bassoon, Music, Keyboard, Classical Guitar, Acoustic Guitar
There is nothing more rewarding than seeing my students flourish. My students will often come to the first lesson worried about their ability and leave with more than a grin on their face because it was not at all what they were expecting. I strive to make my teaching style unique to each individual. My students find that I can explain a concept or practice technique to them in multiple ways if they do not understand it the first time. Read More
Instruments: Piano, Saxophone, Flute, Clarinet, Keyboard
Great music lessons are a mix of solid technique building and fun application of those skills. I always spend the first few lessons getting the student familiar with the basic technique of the instrument, and then quickly move on to duets, improvising, sight reading, solos, etc. that tie in with the current technique studies. Music can also be heard or read, so I try to strike a balance between reading music/theory and learning/improvising by ear. Read More
Instruments: Piano, Guitar, Voice, Trumpet, Trombone, Saxophone, Flute, Clarinet, Drums, Recorder, Piccolo, Mallet Percussion, Oboe, Conga, Keyboard, Djembe
I have certain methods that are useful from beginners to advanced students. I always meet a student where they are at and then guide them to gain the skills that they require for the goals they want to achieve. I don't subscribe to the notion that one MUST read music to play music - that is not how most of the world works, but I am a large advocate of being literate. Read More
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