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Featured Saxophone Teachers Near Cedar Brook, PA

4320   5 STAR Musika Reviews

Here are just a few of the many teachers offering Saxophone lessons in Cedar Brook . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Daniel M

Instruments: Saxophone

In my fifteen years on the saxophone, I've played in all sorts of musical environments and styles, equally comfortable sitting in a swing band as standing in front of an orchestra. No matter what skill level you are or what genre you're hoping to learn, I will be able to help you find ways to improve your sound and style. As my student, you will develop not just your finger work, tonguing, and breathing, but also fundamental listening and analyzing skills that will help you become a more well-rounded, thoughtful, and expressive musician. Read More

Erika M

Instruments: Saxophone Clarinet

For beginning students who are children, I typically teach the book that they use in band class. If they/the parents would prefer a specific book or are not in band, I typically use Standard of Excellence, the red book and then progress to the blue book. Once the student understands the fundamentals and has progressed, I then begin to introduce solo repertoire appropriate for their first recital performance.  For adults, I learn of what the student is interested in and then I guide my instruction accordingly to keep the lessons engaging and fun, no matter the ability. Read More

Rachael S

Instruments: Saxophone Clarinet

I want to help every student achieve their personal goals in music, whether it is to work on school music, learn a new instrument or become a professional musician. I encourage structure in the lessons, but am flexible to work on the students needs. I focus on helping students create their best possible sound and communicate with expression. I want my students to perform and experience live performances. I provide serval venues and ensembles where I perform as well as other performances happening in the Pittsburgh area. Read More

Will B

Instruments: Saxophone Flute

I like to work with students through the Rubank Method books. These are excellent books for any level musician to pick up and work from. I use these as a foundation of technique that can be translated to repertoire. Again depending on the style of music the student wants/needs to practice, I will pull from etudes, solo transcriptions, and popular music to start building the student's repertoire. I will also work with students on building skills in improvisation. Read More

Tyler H

Instruments: Saxophone Flute Clarinet

My teaching style emphasizes areas that the student enjoys playing, as well as method books and technique exercises that will advance their playing. Developing and solidifying core concepts in lessons is more important to me than speeding through exercises in a book, and I always stress the importance of doing things right before moving on. I encourage my students to practice at their own pace, however I always stress that picking up the instrument for even just ten minutes a day for a week is better than one day for an hour. Read More

Cecelia P

Instruments: Saxophone Clarinet

If I were to teach any adults (which I have not had the opportunity to do yet!), I think I would still start with Corley's book but then after that investigate what kinds of music they're hoping to play and touch on those things as well as work on advancing technique. I hope, too, that all of my students have an ensemble to play in whether they're homeschooled, attend a school, or are an adult learner. Read More

Joseph H

Instruments: Piano Guitar Voice Trumpet Trombone Saxophone Flute Clarinet Drums Ukulele Recorder French Horn Piccolo Orchestral Percussion Keyboard Electric Guitar Djembe

For piano students, I prefer Alfred's methods, whether the adult or for beginners. For band and orchestra, I use Essential Elements (or whatever their school is using), and supplement with Rubank's methods. For voice, I concentrate on whatever the student is interested in, with a foundation of good technique and understanding of the voice range and how to control it, with some solfege and sight-singing mixed in. Whatever the instrument, I follow and listen to the student to understand what they need, and change my curriculum to suit them. Read More

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