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Featured Piano Teachers Near Paulsboro, NJ

4330   5 STAR Musika Reviews

Here are just a few of the many teachers offering Piano lessons in Paulsboro . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Rachel M

Instruments: Piano

I am a creative and enthusiastic teacher who believes that music is for everyone.  Whether you are a child or a teenager or an adult, whether you are experienced or learning for the first time and whether or not you believe you have "talent", music is for you because music is a quality of human expression.  I was provided traditional, classical training in piano from my earliest years, developing excellent technique and an ability to express myself at the piano that I love to share.  I expanded and deepened my understanding of music further with a Bachelor of Arts degree in Music History and Theory at Swarthmore College where I also continued to hone my performance skills.  After that, I had a wonderful adventure as a medical doctor with a speciality in family medicine until music called me back again in the summer of 2002.  One thread that is common to both careers has been my consistent love of teaching which I now understand as my true calling. Read More

Emma H

Instruments: Piano Voice

My teaching style, particularly with my younger students, is to combine yoga-like breathing and proper posture to develop their voice naturally. I find that it does not matter which style of singing you would like to learn or how you would like to use your voice, breathing and breath work are an essential foundation to wonderful music making. I like to teach voice in a free, forgiving environment where mistakes are encouraged. Read More

Laura K

Instruments: Piano Voice

When teaching both voice and piano I find music literacy vital. In younger students first developing aural skills, I like to sing and repeat tonal and rhythmic patterns. I also give handout assignments to learn notes on the staff. With older and more experienced students, I devote time in each lesson to sight reading and sight singing. I use the Adventure series books for all of my piano students, as well as outside literature. Read More

Samuel M

Instruments: Piano Voice

I am a very detail oriented teacher. Once a student gets a new piece of music I like for them to gain a general idea of how the music goes. We then begin to do more specific work. Once the student is comfortable with the notes and rhythms, together break down each phrase to make sure the technique is consistent. Because I believe every student is different and may need to receive information in a different way than another student, I can tell a student what is happening technically or I can explain it in a way that Read More

Karena C

Instruments: Piano Flute

For Beginners who are just learning how to read music, I usually start off with Faber's method, there is a version for adults as well as children. This seems to progress at a very suitable speed, comfortable yet still challenging, and has proved to be quite effective in getting basics down. Once my students have become familiar with the fundamentals in these books, I move them on to repertoire according to their individual goals or needs. Read More

Ariel F

Instruments: Piano Violin Cello Viola Double Bass Keyboard

They brought me to a new teacher that totally changed my mind. She and many other great teachers I've been privileged to have, have inspired my teaching philosophy, strategies, and the songs I teach to this day. Teaching music is my joy in life and my passion. I do arranging, orchestrating, conducting, and performing all the time...but teaching is my true love. As it is I have a decent number of students but am currently looking for more! Read More

Steve B

Instruments: Piano

I encourage students to pick the music they want to play.  For those who have no prior music knowledge at all, there are numerous beginning methods that are satisfactory.  I teach harmony and ear training at a level in agreement with ability of the fingers to execute.   It is so nice to learn to play by ear, (starting with very simple tunes) going from the brain to the keyboard without the crutch of the paper score.  Of course this is the objective of preparation (study, practice) anyway, so the emotional feeling that the composer intended can be experienced and interpreted (and communicated to the audience) in a wonderful, magical way.  Read More

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