816-463-3583
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25 Years
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41,456+
Happy Customers
10,769
Cities with Students
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Teachers in Network
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816-463-3583
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Here are just a few of the many teachers offering Music lessons in Kansas City . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Voice
Teaching is my passion! I have been a private piano and voice instructor for over 10 years, as well as a classroom teacher for over 12. I love finding the gifts in all students and nurturing those gifts by sharing my love of music and knowledge. I graduated from Northwest Missouri State University with a Bachelor of Science degree in Music Education. My career as a musician has given me many enriching opportunities to be involved in vocal performances and teacher-led performances over the last 12 years. Read More
Instruments: Trumpet
Lively and Encouraging! Music is tough and can be very stressful! I stay upbeat and optimistic. It is important that a student is aware that practice and progress is NOT easy and it WILL be frustrating and aggravating. It is how you deal with that frustration that makes the player great! I want my students to know that I will always be a reliable source of knowledge and that they can always depend on me when they can't seem to master a certain skill or technique. Read More
Instruments: Voice
I have been a Young Artist with Cedar Rapids Opera Theater, playing the role of Butch in Frankenboy. While in graduate school, I sang the roles of Betto di Signa in Puccini’s Gianni Schicchi, Count Paris in Gounod’s Romeo et Juliette, and John Brooke in Adamo’s Little Women, all with IU Opera Theater. I had the opportunity to create the role of Almeron Dickinson in Tim Noble’s workshop for his new musical, Alamo. Read More
Instruments: Piano Violin
45 years of teaching experience 2010-2015 Assistant Professor at WSU, Wichita, KS 2009-present Director, St. Petersburg International Music Academy 2006 Senior Coach, Tucson Junior Strings,Tucson, AZ 2005 Faculty, Musica Mundi Summer Festival, Belgium 1989-2004 Faculty,Musicorda Summer Festival 1997-2003 Faculty, Oberlin Conservatory of Music, Oberlin, OH, Private instruction and chamber music 1987-1999 St. Petersburg Conservatory, St. Petersburg, Professor of violin 1991-1999 Special Music College for gifted children under Rimsky-Korsakov name Professor 1999-2004 St. Read More
Instruments: Guitar Voice Ukulele Music
My teaching style is a little eclectic. I like explaining everything I do because students should know why they're doing certain things. I work with each student to figure out why they're taking voice lessons and figure out accomplishments that they want to achieve. I'm tired of voice teachers only teaching classical music, especially when a student says they want something different. Classical music is important, especially in the music sphere, but singing and playing are not all about that. Read More
Instruments: Violin Viola
I'm a young violin instructor who is passionate about teaching music to students of all ages. I graduated from Park University in 2017 with a Bachelor of Arts degree in Violin Performance, and I am currently working on my master's degree. I enjoy performing, and I often perform throughout the Kansas City area, as well as various opportunities around the world. I also travel to various international violin competitions; in January of 2018, I was awarded fourth prize at the Singapore International Violin Competition. Read More
Instruments: Guitar Drums Bass Guitar Harmonica Electric Guitar Classical Guitar Acoustic Guitar
What musical accomplishments are you most proud of?
I would say my earliest accomplishment was getting into music school after having played guitar for just over two years. At the University of Kansas, I also provided classical guitar accompaniment for a DMA flute student, and played on several of his doctoral recitals. For a 19 year old, it was greatly stressful, but I managed to help him to execute successful performances despite my relative lack of experience. Later, some of my favorite performances were with a gypsy jazz quartet where we performed in an idiom similar to Django Reinhard, and st the same time I performed many solo acoustic shows playing both original compositions and covers.
What do you think is the hardest thing to master on your instrument?
In terms of mechanics, I believe right hand technique is one of the most tedious to develop, and takes an immense amount of time to hone in. In a larger-scale sense, I would say mastery of jazz or classical styles are some of the most difficult, and for two totally different reasons. For jazz, a guitarist has the dual role (like piano) of rhythm and lead. Many guitarists start on styles more akin to pop or rock, and do not develop sight reading skills that other instrumentalists do, so that is always a battle for guitarists. Also, there are multiple positions you can use to play the same note, so certain judgements have to be made. Sight reading is even more paramount in classical music, thus, classical guitarists must work extra diligently to develop this skill.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I prefer as much as possible to not use these methods, as I have found them to be disinteresting for most students. I prefer to make notes by hand, or selecting printouts from the internet. I also encourage students to look through various websites, and searching through YouTube to help their practicing throughout the week. For more advanced students, I do encourage them to purchase Real Books and other materials that give explicit education to music theory. I have a printer, and will print materials before a lesson, or will email suggestions as needed.
What does a normal practice session look like for you?
I like to begin with technique warmups for 5-10 minutes. In my most focused practice time, I will set a timer on each idea I’m working on. In general, I like to limit my intense focus on a couple of keys per week, and run through different ideas in each of them. For instance, recently I’ve been looking at half-diminished chords and their inversions and arpeggios. I will take two keys that are generally unrelated (Dmaj and A-flat maj this week) and execute the exercises until they feel comfortable. This extends for all ideas and sets of scales. Then if I have time, I will do some ear training, and sight reading. Afterwards, I usually work on repertoire for the remainder of my practice session. I have a few apps on my phone that I will browse through if I have free time and am away from an instrument.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Music lessons in Kansas City to students of all ages and abilities.
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