Drum Lessons in Sterling Heights, MI

Instruments: Piano Guitar Voice Violin Viola Drums Electric Violin Fiddle Conga Latin Percussion Music Keyboard Djembe Acoustic Guitar

There is nothing more rewarding then to see a student achieve and accomplish a goal. I believe and always positively affirming and acknowledging there accomplishments. Positive reinforcement and encouragement always assist the student to strive and succeed. I always give my student the choice to decide between multiple pieces, but I always choose pieces with a new technique or concept, so the student is consistently learning. My job is to discovery the students desires then to formulate a lesson plan that will not only stimulate, educate and challenge but also make the learning experience enjoyable. Read More

Instruments: Saxophone Clarinet Drums

I am currently a Senior Music Education Major at Eastern Michigan University. I am a saxophonist in the EMU Wind Symphony, EMU Big Band, EMU Saxophone Ensemble, EMU Jazz Saxophone Sextet, Stone Tower Saxophone Quartet, Krangerson Duo, REMIX, and Funkwagon. I have also marched Quads for Impact Percussion, and the EMU Drumline. I also play drumset in several jazz combos. Music is such a huge part of my life and it has taught me so many life lessons and values that I hold dear every day of my life. Read More

Instruments: Drums

I have three main books I use; these are my drum 'bibles'. Progressive Steps to Syncopation by Ted Reed, Stick Control for the Snare Drummer by George Lawrence, and Advanced Techniques for the Modern Drummer by Jim Chapin. I like to teach fundamentals first, providing a strong basis with which to expand your repetoire. Then I like to emphasize song work. The best part of drumming in my opinion is playing with other instruments, and in addition to playing with recorded music, I encourage my students to find other musicians to practice and even perform with. Read More

Instruments: Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Djembe

I have been teaching now for more than 7 years, starting fresh out of High School. I encourage my students to follow their dreams and put their all into their craft. I find that my students reap better rewards when they have a consistent and concise method of practicing, to which they can develop with my help and then "out grow" their need for my instruction. One of my goals as an educator is to build self sufficient humans that can tackle the challenges of not only their instrument, but their lives as well. Read More

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Organ Synthesizer Harp Accordion Harmonica Lap Steel Guitar Banjo Ukulele Mandolin Recorder Lute Electric Violin Fiddle Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Shakuhachi Oboe Bassoon English Horn Conga Latin Percussion Music Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar

There really is no limit to which methods work for people. Every person learns their own way, and it is true that a variety of methods work for an individuals learning process. I enjoy employing all ways of experiencing music including playing by ear, reading sheet music, learning music theory and its practical applications, as well as playing with others and truly feeling what the music is wanting to say. Read More

Instruments: Drums

I take everything in steps with students no matter what the age. My biggest approach I take to lessons is figuring out what the student wants to learn. If someone comes to me wanting to dive deeper into the styles of bands like Rush, we might not focus much time on snare solos (for example) because thats not what the student is interested in learning. I'm not saying that snare solos are not important, but I've come to realize that people will work harder at the things they're PASSIONATE about learning and not just the things they "should" learn. Read More

Instruments: Drums Latin Percussion

Typically, for students just starting out we would start on standard snare method, working out rudiments and gaining a sense of feel for drumming. This would eventually build up to working with the entire drum set, where we would explore several styles including Rock, Pop, Jazz, Swing, Latin and everything in between. Basically, I would try and find what the student is most interested in and build from there. Everyone wants something else, so it pays to be versatile. Read More