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Featured Drum Teachers Near Rural Hall, NC

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Here are just a few of the many teachers offering Drum lessons in Rural Hall . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Aaron B

Instruments: Drums

I have a comfortable home teaching studio with a beautiful vintage drumset, a marimba, various percussion, and too many other instruments to list. I also have a comfortable waiting area for parents and/ or siblings (where you can hear the lesson in session, if you wish), as well as comfortable porch seating for nice days. I have played with numerous bands and solo artists, including Eugène Chadbourne, Martha Bassett, and the Darnell Woodies. Read More

Bill C

Instruments: Drums

I have been teaching oof and on for the last 20 years. I have been playing professionally for the last 27 years. I played in my high school marching band and in the symphonic orchestra. I studied under Tony Casselli and Tom Tehdran. I've been in a variety of bands from dinner/oldies bands to rock. My current studio has two drum sets and a DW practice pad set. I use some of the standard drum method books along with some of my own techniquies I've developed over the years. Read More

Mallory N

Instruments: Piano Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Synthesizer Recorder Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon Keyboard Djembe

For beginning students, I start with the Essential Elements book. If the student has already taken lessons or is in their school band/orchestra, I encourage moving onto the Rubank Elementary, Intermediate, and Advanced method books depending on ability. Once a student has proven that they are able to handle it, I will start on solo repertoire. Particularly for college-bound musicians who wish to major in music, the majority of their lessons will be based on preparing solo literature for All District or college auditions. Read More

Larry D

Instruments: Piano Trumpet Saxophone Drums Orchestral Percussion Latin Percussion Music Djembe

I'm trying to put each student in touch with their inner creative. Everyone learns at a different pace and my approach is to teach something to mastery level rather than fill a quota. Inspiration and the joy of playing is first and foremost with my approach. By breaking difficult passages down into digestable pieces and making attainable goals, I find this keeps the student interested and builds confidence to overcome weaknesses. Read More

Gilson F

Instruments: Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Djembe

When teaching drums or percussion to a beginner, I always start with basic stick-control and technique. I have numerous methods for progression but after some time, I always let the student's interests and goals lead the way. I have multiple snare drum/drum set method books that range from elementary to advanced skills to achieve growth. I'm also a firm believer in being able to play by ear (and reading). Read More

Michael C

Instruments: Guitar Voice Saxophone Flute Clarinet Drums Bass Guitar Synthesizer Recorder Keyboard Classical Guitar Acoustic Guitar

I initiate from the very beginning utilizing Orff, Kodaly and Suzuki methods, as well as some movement activities for my very young students (Pre-K and Kindergarten).Then, I implement some form of musical notation based around sight singing, as a way of laying a good foundation to build upon. As I work through the grades I build upon what they are to know according to the Standards set forth by the State Dept. of Education. Read More

Aaron R

Instruments: Drums

As a foundation, I start my beginner-level students with basic the basic understanding of rhythm patterns, dynamic control, and basic limb independence. I use Benny Greb's "The Language of Drumming" as it has proven to be a fun and effective learning tool for well over a decade. From there it's really dependent on the student and their learning style/pace. I try to never create a particular "method" that doesn't allow for the student's uniqueness to be taken into consideration. Read More

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