Clarinet Lessons in Winston, GA

Instruments: Saxophone Clarinet

I am a passionate, motivated teacher that believes no one is too old or too young to learn music. I was blessed to learn from some great instructors in my lifetime and I use those lesson I've learned to teach and motivate my students about music. During my time as a musician, I have been on tour around New York City and had to opportunity to go on tour across many countries in Europe. Read More

Instruments: Piano Trumpet Trombone Saxophone Flute Clarinet Drums Euphonium French Horn Tuba Mallet Percussion

  In my classroom transdisciplinary is innate to my teach style.  I teach all skills in my class using many methods including but, not limited to the following: Clapping, singing, stomping, writing, modeling, syllables (math), one-on-one  Beginning players usually start with a short Assessment of their knowledge of music. We will spend a lot of time thorughout their experience on Tone, Intonation, Technique, Range, and Style using various styles.    Experienced players usually start with a short Assessment of their knowledge of music. Read More

Instruments: Piano Clarinet

I am a clarinet and piano instructor in the greater Atlanta area who teaches with a passion for identifying what motivates each and every student. I attended the Baltimore School for the Arts and the University of Cincinnati College-Conservatory of Music. I have performed all over the US and Europe as a solo, orchestral and band clarinetist and have been teaching piano since 2007. The experiences I have been able to take advantage of as a musician have motivated me to seek the same wonderful opportunities for my students. Read More

Instruments: Saxophone Clarinet Music

My musical career started as a singer growing up in Washington DC. I have been playing saxophone for almost 15 years and have been composing for 8. I have maintained a private studio for 6 years and have taught students from 8-18. I have lots of experience singing and playing in lots of different genres of music and have always maintained the importance of being able to play in multiple genres. My own compositions blend jazz, hip hop, and contemporary music together, and my students are enriched with the knowledge that I bring from all those genres. Read More

Instruments: Piano Guitar Voice Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Organ Synthesizer Harp Accordion Harmonica Recorder Lute Electric Violin Fiddle Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Conga Latin Percussion Music Keyboard Djembe Acoustic Guitar

I create a hands on curriculum based on the students musical proficiency. Alongside this structured lesson plan, every student will receive training on proper practicing techniques which help build their sense of guidance, responsibility, and structure. Students will also receive training for embouchure and tone development as well as warm up etudes that cater to the students skill level. Music theory and terms will be infused within the lesson plans to ensure my student's proper use of signs and symbols. Read More

Instruments: Piano Trumpet Trombone Saxophone Flute Clarinet Synthesizer Recorder Euphonium French Horn Tuba English Horn Latin Percussion Music Keyboard

Typically when I begin with children I incorporate the Hoffman Method and Books such as the Little Mozarts books, Alfred, Faber and Master Theory. I allow for children to learn fundamentals in a fun way so they can begin to read music and perform if they are interested. Students get to learn the basics like Mary had a little lamb, hot cross buns, jingle bells, and other fun tunes. Classes are also available for older beginners interested in learning classical or other styles. Read More

Instruments: Saxophone Clarinet

There are many acceptable method books for beginning students, however, I have found that if a student gets relatively comfortable on their instrument before trying to decipher a grand staff, they seem to enjoy the learning experience more. The hardest part of teaching music, in my opinion, is the educational content that isn't in a method book. Finding someone who can play your instrument better than you can often be more inspirational than finding a new piece that is slightly out of your comfort zone or using a method book that, at the end of the day, is supposed to help a student reach the ability level of the person the student aspires to be. Read More