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Featured Clarinet Teachers Near New Geneva, PA

4047   5 STAR Musika Reviews

Here are just a few of the many teachers offering Clarinet lessons in New Geneva . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Cameron H

Instruments: Clarinet

My goal as a teacher is to share my knowledge and enthusiasm for music and the clarinet with my students. I prioritize creating a strong “toolkit” of fundamental skills that we can use for all of the music we perform. Beyond teaching these fundamental skills, I find it important to introduce my students to historical and modern repertoire, clarinet and music history, audition and performance strategies, and other important musical skills. Read More

Natalie D

Instruments: Trumpet Trombone Saxophone Clarinet Ukulele Euphonium French Horn Music

For young students or beginners, I start with a lesson book such as Essential Elements or Accent on Achievement. Each of these methods series have multiple books that the student can progress through. Once they have reached a certain level of understanding, I will sprinkle in songs that they know and enjoy, such as Disney songs, pop songs, etc. For high school students, I start with famous repertoire for their instrument or more advanced pieces they are interested in. Read More

Roger R

Instruments: Saxophone Clarinet

I've been teaching students saxophone privately since the age of 16. In between regular gigging and college, I've had the chance to teach a number of students in the past 7 years. One of my main goals in teaching young students is developing a keen sense of how to practice effectively. I like to encourage students to actively seek opportunities to perform and record music wherever they can, so I often times facilitate the process with my own contacts. Read More

Joseph V

Instruments: Voice Trumpet Trombone Saxophone Clarinet Euphonium Tuba

I am a driven player who believes ardently in the practice of fundamentals and the accuracy of intonation. I auditioned for the U.S Army Band in 2004 and spent 10 years traveling with the group. During this time, I played venues all over the world, including Japan, Korea, Germany, and Iraq among others, and learned to play many different styles of music. Since then, I have been studying with several esteemed musicians from the Pittsburgh Symphony Orchestra and I hope to impart the lessons I have learned upon my students. Read More

Rachael S

Instruments: Saxophone Clarinet

For beginning and intermediate clarinet and saxophone students I like using the Yamaha Advantage books or the Belwin Series. I like to use these lesson books and supplement with solo and duet material. I always encourage my students to bring in material they'd like to work on, from school band music to popular tunes they are intereseted in learning. I think it is important for all aspiring musicians to collaborate with others and make sure to play along with students in our lessons. I ask my students to plan their practice time each week, as I know how busy we all are! Read More

Emily R

Instruments: Piano Clarinet

I have been a private lesson instructor of students in grades 4-12 for over 6 years. I have experience and familiarity with multiple teaching methods and repertoire, and I always do my best to personalize the lesson experience for each individual student. I also recently completed my student teaching experience within the State College Area School District. Each day for a total of over five months, I worked with students in the elementary and high school level across bands, choirs, general music, and small group lesson instruction. Read More

Joseph H

Instruments: Piano Guitar Voice Trumpet Trombone Saxophone Flute Clarinet Drums Ukulele Recorder French Horn Piccolo Orchestral Percussion Keyboard Electric Guitar Djembe

For piano students, I prefer Alfred's methods, whether the adult or for beginners. For band and orchestra, I use Essential Elements (or whatever their school is using), and supplement with Rubank's methods. For voice, I concentrate on whatever the student is interested in, with a foundation of good technique and understanding of the voice range and how to control it, with some solfege and sight-singing mixed in. Whatever the instrument, I follow and listen to the student to understand what they need, and change my curriculum to suit them. Read More

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