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Featured Cello Teachers Near Westford, MA

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Here are just a few of the many teachers offering Cello lessons in Westford . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Lexine F

Instruments: Cello

I have been teaching group and private lessons since 2021, and I have experience working with students of all ages and backgrounds in both virtual and in-person lesson formats. As part of my appointment as a Teaching Fellow through NEC's Community Performances Partnerships program, I am currently a Teaching Assistant at the Conservatory Lab Charter School in Dorchester, MA, where I work with 2nd, 3rd, and 4th grade cello students on technique and music-reading, and through this fellowship and other NEC classes, I have received training in various pedagogical practices for private teaching. Read More

Jacob L

Instruments: Violin Cello Viola

I use other methods too. Students I've taught are now having excellent careers as professional musicians. I teach both private and group lessons. I greatly enjoy teaching and I teach violin, viola and cello.. Our Charles River Sinfonietta has just given several chamber music concerts this summer, and to start off the first day of fall we'll be playing for the Northborough Applefest again on 9/21/19 at 4 pm at the Trinity Church 23 Main Street in Northborough MA . Read More

Andrew T

Instruments: Piano Guitar Cello Bass Guitar

I have a deep and passionate love for all things music, whether it's teaching, performing, writing, or listening, and I love being able to share that with my students. I did my undergrad program at UMass Lowell and have achieved my Bachelors degree in Music Studies. I currently still attend the University, where I am striving to get my Masters degree in Music Teaching. Outside of school I enjoy writing and recording my own music, and I occasionally play live shows when I can. Read More

Adrian Z

Instruments: Cello

For beginning students I start with the Suzuki cello books, and teach books 1 to 5. I reinforce the Suzuki with pop/ non-classical songs, depending on the student's interest. After Suzuki 5, which is well into the intermediate level, I introduce individual works (small concerto's, sonatas, etc.) and cater them towards the student's ability and interest. For younger or beginner students, I reinforce the Suzuki books with sight-reading, and as they progress, I add in etude studies.  Read More

Alexander F

Instruments: Cello

With beginning students, I use exercises from Suzuki and Essential Elements books as a basis for note reading, but I also frequently use "echo" or "call-and-response" playing. I find this is especially important in developing a student's ear for pitch and tone early on. As a student progresses and their musical interests develop, I combine standard classical repertoire that I grew up playing with song transcriptions of film, jazz, and rock music formatted to match each student's ability level and current technical goals. Read More

Nicolas S

Instruments: Cello

I'm a dedicated cellist and collaborative musician. Through my training, I have been fortunate to work with a number of inspiring mentors and teachers. I began my serious training on the cello in Santa Barbara, California where I participated in the Santa Barbara Music and Arts Conservatory.  It was through this program that I came in contact chamber music, and artist-teachers who instilled in me a drive for the richness, color and palette of sound possibilities the cello can create. Read More

David O

Instruments: Cello

I do not use any particular "methods" of teaching, although I did begin out on Suzuki. And while I do believe this is an important methodogy, Suzuki does have its flaws as do most of its kind. As I mentioned earlier, theory, harmony, and music history (as rudimentary as they may be at the beginning) are crucial for all students regardless of their level. The more one knows about the piece, the easier it will be to interpret and understand what the composer is asking for. Read More

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