Cello Lessons in Kettering, MD

Instruments: Cello

Music enables levels of communication and understanding between human beings that we don't come close to in the rest of our society and interactions. From my love for chamber music and recognition of music and art as an integral vocabulary for expanding global dialogue, understanding, and peace, I look for performance, creation, recording, and collaboration in classical, tango, contemporary, world, popular, and interdisciplinary artistic projects. Some of my teachers have included Peter Howard, Jorja Fleezanis, Atar Arad, Tanya Carey, and Sally Gross (choreographer). Read More

Instruments: Cello

I am a cellist living, teaching, and performing in Northern Virginia. I earned my Masters in Music Performance from Ball State University where I studied cello and chamber music with Dr. Peter Opie of the American Piano Trio and my Bachelors in Music Performance from the Conservatory of Shenandoah University where I studied the same with Mr. Clyde Shaw of the Audubon Quartet. I have attended various summer music festivals including the Idyllwild Summer Music Festival and the Chautauqua Summer Music Festival where I furthered my love of performing and attended professional masterclasses and performances on a near daily basis. Read More

Instruments: Piano Cello Drums Conga Latin Percussion Djembe

I'm a performer and educator motivated most by the flash of joy I see in students' faces when they first grasp a new musical concept. With a global perspective on music cultivated by my background performing Brazilian music and American Jazz since childhood, and further bolstered by a B.A. in Anthropology: Ethnomusicology from Ithaca College, I have been a full time touring musician for the last 10 years. In addition to mainstage festival appearances all over the country, I have been lucky enough to teach clinics and master classes in percussion at top conservatories and universities such as Oberlin College & Georgetown University, as well as workshops in high schools, middle schools, & elementary schools all over the US. Read More

Instruments: Piano Cello

Music has been a part of my life for as long as I can remember.  I enjoy sharing the magic of music with others as both a performer and instructor.  I studied piano, cello and engineering at USC and Duke University.  I've had the pleasure of serving as a section cellist with various orchestras throughout my career in Georgia and South Carolina. I've studied piano with Dr. Frothingham and cello with Dr. Read More

Instruments: Cello

I often try to get my students to hear what I hear in their playing by asking them questions. My goal is that the questions that I ask of them will be the questions they begin to ask themselves in their personal practice. Instead of telling a student directly that they may be playing a rhythm incorrectly or that they need to correct their bow technique, I ask them to reexamine that aspect of their playing and they often come up with the solution with some guidance. Read More

Instruments: Cello

My program involves using Essential Elements Books, Suzuki Books/Methods, Scale Books, and Dotzauer Books.Weekly instructions include: practicing scales, skill builder exercises and concentration on individual students' solo selections. Students repertoire includes traditional music books, skills book, etudes and songs. Suzuki Essential Elements are books of choice for music. Dotzauer, Klengel and Popper among others are books of choice for etudes. Scales are chosen from various sources and methods. Read More

Instruments: Cello

I think it is true that teachers often learn as much as students do. I always find myself reflecting throughout the week on lessons that I taught, and considering ways in which I can better interact with and tailor my instruction toward each individual student. My most important duty as a teacher is to help students connect with and enjoy the music, so I make a point of identifying any patterns and points of interest, and encourage them to express themselves freely while respecting the composers' intentions. Read More