Violin Lessons in Birds Landing, CA

Instruments: Piano Voice Violin Cello Viola Mandolin Recorder Orchestral Percussion Music

I use various methods, books that will fit the student's needs. For instrumental, I use theory book with written activity that helps the student understand the fundamentals of music. In addition, I use various exercise and performance books that will develop the student's skill and master the instrument. For voice, I teach various vocal exercises and vocal techniques that will develop the student's voice. I have been passionate guiding students across various musical genres, including classical and contemporary, and languages such as English, German, Italian, French, and more. Read More

Instruments: Violin Viola

I am a passionate, motivated, and detailed instructor who loves to work with students of all ages, backgrounds, and levels. I am currently completing my bachelor degree for Violin Performance at Rice University's Shepherd School of Music. I absolutely love chamber music and I have had the honor of competing and placing in the prestigious Fischoff Chamber Music Competition in 2019. I have also had many opportunities to perform including alongside the Alexander String Quartet as part of the San Francisco Performances. Read More

Instruments: Piano Guitar Violin Cello Viola Bass Guitar Organ Ukulele Electric Violin Music Keyboard Electric Guitar

Each student learns at their own pace and it's important to understand that not everybody learns the same. Setting both short and long term goals with the student helps me understand what they want out of lessons. This makes it easier for me to engage with them and bring it back to something relevant to them at the end of the day. For example, no child understands advanced rhythm unless you disguise it in familiar terms e.g. using the phrase "run po-ny run" to describe two eighth notes sandwiched in between to quarter notes. Read More

Instruments: Violin

I am currently a student as SFSU and I am 18 years old. While I am on the younger side of teaching, I have numerous experience with playing violin and also with good bad violin teachers. I have been the first chair in every orchestra Ensemble since I have been in the 7th grade including the CMEA Bay Area Secdtion Ensemble, Honor Orchestra, Bay Area Honor Orchestra, College of Marin Symphony Orchestra, etc I have also gotten three music scholarships from three universities, however, since I want to follow a different path, I decided to turn it down. Read More

Instruments: Piano Guitar Violin Viola Saxophone Flute Clarinet

I love seeing my students grow in their knowledge and appreciation of music! Excellence is rewarding, and I teach the process to get there from whatever level we begin. I use positive reinforcement and notice what the student is doing right. Then, I give critique and an action plan to improve performance. It feels good for the student and teacher when they learn the methods to break down what is currently difficult into smaller pieces so that it is both manageable and possible to go further than they thought. Read More

Instruments: Violin Viola Electric Violin Music

I've developed my own methodology, combining the means offered by the finest violin schools and all the alternative, related disciplines such as Alexander Technique, Yoga, and Meditation working all together towards the importance of knowledge of our body, awareness of the self, need for enjoyment and educational relationship centered on student needs. I'm looking to transmit all my knowledge as I'm confident it would optimize and benefit your performance, health, wellbeing and teaching skills by integrating body, mind, emotions and instrument into one-a balanced and fulfilled artist. Read More

Instruments: Violin Viola Mandolin Electric Violin Fiddle Double Bass

The approach to the violin with the orthodox method can be particularly frustrating. The technique is important but equally important is to develop the ability and taste of playing together right away. For this reason, regardless of the styles you want to deepen, I play as much as possible together with the student whether it is classical duets, folk songs or jazz. For the more advanced students a part of the study of the accompaniment is reserved as well as for soloists Calibrating the objectives based on the abilities of the age and the talent of the students is an attention that can avoid frustrations and lead everyone to the common goal of the musicians: to express and continuously improve. Read More