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Featured Drum Teachers Near Nesconset, NY

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Here are just a few of the many teachers offering Drum lessons in Nesconset . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Matt N

Instruments: Drums Mallet Percussion Orchestral Percussion Latin Percussion

For beginning students, I will start off with some basic rhythm sheets that I have created, and begin to asses the competency and understanding of basic rhythm. I firmly believe for any instrument that everyone needs a strong foundation of rhythm in order to progress into more advanced levels of playing and reading. At this point, I will begin to use Alfred’s Drum Method Books 1 and 2 interchangeably, eventually leading to Podemski’s Standard Snare Drum Method at the advanced level along with Rolls Rolls Rolls. Read More

Joey D

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Synthesizer Ukulele Recorder Electric Violin Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Music Keyboard Electric Guitar Acoustic Guitar

I am incredibly fortunate to have access to the resources at NYU and to love teaching music more and more every day: I have had practical experience in woodwind, brass, string, voice, and percussion pedagogy, as well as music in early childhood and for students of all abilities. My teachers include Jason Noble (instrumental conducting), Paul Speiser (choral conducting), Kim McCord (childhood/special ed music pedagogy), Ethan Hein (electronic music pedagogy), and Christopher Bush (clarinet performance). Read More

Timothy T

Instruments: Piano Guitar Drums Bass Guitar Mallet Percussion Orchestral Percussion Conga Latin Percussion Keyboard Djembe Acoustic Guitar

Over the years, I've taken lessons from instructors who had an array of teaching styles. While in high school, I was taught through intimidation and was scared into learning, which is something I was able to handle. This methods can actually turn students away from music which is the main reason dislike approach. Students should be comfortable and relaxed when entering a lesson. This not only creates a positive learning environment for the student but helps create a relationship between instructor and student that only helps the growth of both individuals. Read More

Keith B

Instruments: Piano Voice Drums

For young students, I would usually start them off using Bastien Piano Basics. It's very digestible, and gives a good starting-off point for both technical playing, and larger musical concepts as a whole. With a student who is older or perhaps more advanced, who has a solid grasp on technical proficiency and music theory, I would typically recommend studying specific pieces, starting with Classical, and eventually moving into Jazz. I feel that following a chronological study of music is one of the best ways to become a well-rounded, versatile player who feels comfortable approaching any material. Read More

Brent S

Instruments: Drums

Methodology Including: George Lawrence Stone, Sanford Augustus Moeller, Jim Chapin, Ted Reed, Alan Dawson, Gary Chester, John Riley, Gary Chaffee, Kenwood Dennard, Jojo Mayer, And Much More!    Read More

John B

Instruments: Drums Latin Percussion

I use many different methods but most importantly I tailor the lesson to fit the student's needs. I like to write out lessons, but I generally start my students off using Benny Greb's "The Language of Drumming." I like to teach the student how to play the instrument as if it were a language, in the form of an alphabet. It's a great method in building a strong foundation with the instrument. Read More

Charles K

Instruments: Drums

For beginners of any age I begin with a simple method of my own design for understanding how rhythm works. With simple step by step instructions, complex coordination becomes easy to understand. For intermediate students, refining technique through musical exercises and carefully selected repetoire is priority number one. For advanced students, the goal is to break down patterns that the player relies on to open up new possibilites. In all facets MUSICAL PLAYING is the priority. Read More

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