Bass Lessons in Moffett Field Nas, CA

Instruments: Bass Guitar Double Bass

I'm a multi-faceted, multi-instrumental musician who loves to further his knowledge of the languages and forms of all music. In 2013 I earned an advanced degree from the Classical Music Conservatory "Bruno Maderna" in Cesena, Italy for the Double bass. I have collaborated as a musician and arranger in the studio with various Italian artists and songwriters, and have divided my time between playing live and in the studio as well as teaching bass guitar and double bass and composing original music. Read More

Instruments: Piano Guitar Voice Drums Bass Guitar Conga Latin Percussion

He has also studied voice with Jane Sharp and piano with Ellen Wasserman.  Jake has been teaching music since 2001. He was Music Program Director at Mission Hills Middle School, in Union City, for 3 years. He was also the guitar and percussion teacher at St. Paul’s Episcopal School in Oakland. Jake has also been a music instructor with COVA, Art and Soul Music Studios, Hayward Music Center and ALMA. Over the years he has performed with musicians such as Josh Jones, Michael Aaberg, Dayna Stephens, Ambrose Akinmusere, Jonathan Finlayson, Geoff Brennan, and Ray Brown. Read More

Instruments: Guitar Drums Bass Guitar Electric Guitar Acoustic Guitar

My teaching style is completely focused on making music fun. I believe every person has innate ability to learn the fundamentals of an instrument, so working through the initial anxiety of learning a new skill is necessary. By letting the student set the pace and offering an array of modalities to tackle students' goals, we will create an environment in which the pure joy of music can shine. Each lesson will include warm-ups, goal-setting, and free expression, with a specific curriculum (either out of a book or customized) guiding us always. Read More

Instruments: Piano Guitar Saxophone Clarinet Drums Bass Guitar Organ Synthesizer Ukulele Mandolin Music Keyboard Electric Guitar Acoustic Guitar

I always say that rhythm is more important than the notes. Play the right rhythm and the notes will come instead of playing every right note while sacrificing rhythm. I encourage students to make their mistakes loud, proud, and in rhythm so everyone has a better idea of what needs to be worked on most. I also emphasize isolating parts to practice and working backwards. Example: play the last two bars of the song until comfortable with it, now play the last 4 bars, last 6, last 8...etc., whole song. Read More

Instruments: Guitar Bass Guitar Ukulele Double Bass

In my teaching style I ask students to explore specific aspects and material that they would like to learn. As I cater to this approach, I compliment it by incorporating fundamentals, theory and improvisation into my lessons. I am a competent teacher and enjoy teaching and continually learning through music. I also enjoy helping students with song writing, arranging and singing as their interest warrants. The lessons are usually guided by the interests of the student based on his or her goals. Read More

Instruments: Guitar Bass Guitar Double Bass

One of the many things I learned that will always be a part of my approach to teaching music is how jamming or having a conversation with expert musicians is the most fundamental and important way to learn how to develop your voice and technique on your instrument. My approach at my studio is designed to allow students the opportunity to jam and learn. Making music can and should be as fun as learning to speak for the first time. Read More

Instruments: Guitar Bass Guitar

For beginners, I typically focus on teaching straightforward open chords, along with scales and exercises to improve finger dexterity. Following that, I guide them in incorporating melodies or soloing over chords. We delve into strumming patterns and cover fundamental techniques for warming up. With intermediate players, my approach involves introducing chord inversions and delving into basic music theory. Topics include understanding how to stay in a key and identifying the diatonic chords within it. Read More