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Featured Piano Teachers Near Rancho Santa Margarita, CA

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Here are just a few of the many teachers offering Piano lessons in Rancho Santa Margarita . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Oanh L

Instruments: Piano Keyboard

For beginning students who are children, I typically start with Music for Little Mozart, Alfred Premier Piano Course, or Faber Piano Adventures. Once the student has progressed to have grasp of the fundamentals, I will begin to introduce solo repertoire appropriate for them. For adults, I try to find out what they are interested in, and guide my instruction accordingly to keep the lessons engaging and fun. I especially encourage my students to practice four to five hours per day, because it helps the students to develop techniques and strength for fingers. Read More

Bella U

Instruments: Piano

I am a patient and dedicated piano teacher who loves to see my students pleased of their progress and their accomplishments. I was hand-picked by a group of professional piano school directors to begin training at the early age of 6 through the Music School for Gifted Children in Russia. After 11 years of intensive training in piano performance and theory, I went on to complete my Bachelors degree at Music College of Russia. Read More

Sadoc G

Instruments: Piano Guitar Bass Guitar Ukulele Keyboard

My musical experience began back when I was 11 years old. I was introduced to music when I was a boy and from that point on my life changed. Through the course of my career I have played many genres of music such as Classical, Jazz, Latin, Pop, Rock, Blues, and Commercial Music. I graduated from the University Cal State Long Beach back in 2009 with and emphasis in instrumental music. During my college years I studied classical string bass and performed in different instrumental and vocal jazz ensembles.My primary instrument is the bass but I also play piano and guitar. Read More

Kip B

Instruments: Piano Voice Keyboard

My teaching background stems from being taught as a 4 year old and seeing the passion of those who invested in me and my future from a young age. I was encouraged to have a strong practice routine on a consistent schedule so I try and instill the same practice in both my vocal and keyboard students. I believe music is supposed to be a fun experience and always look for ways to implement fun exercises so that the passion for learning is increased. Read More

Kandra S

Instruments: Piano Voice Organ

The best part of teaching for me is seeing students transform from unsure beginners to confident musicians with enthusiasm and passion for their own chosen taste in music. I know students can drive the lessons with their choices, so I let them select music that will keep them coming back for more challenges. Even still, I want them to have the exposure to diverse training and music styles to expand their own style. Read More

Linda L

Instruments: Piano Violin

My love of violin began at age 19 and I joined the college orchestra after 6 months of lessons. I passed ASTACAP level 9 in 2019. I returned to Fullerton College and earned my piano pedagogy certificate with 14 additional units in performance, theory and child development. I have played violin in 3 orchestras over the years and hundreds of local church/wedding/studio performances. I traveled to China with Chapman Symphony and performed 4 concerts. I currently study piano and violin with local teachers. Read More

David S. G

Instruments: Piano Guitar Voice

I have a bachelors degree in psychology so I am very sensitive to adapting to the feel of my students. I want to hear your goals, and know what your expectations are. We are a team, and together we will help you reach where you want to go and have a fun time doing so. I am very creative and open for ideas. Also I am sensitive to shyness, something I struggled with in the past myself, so we will work together to find ways to tackle these cool challenges and help you grow as an artist. Read More

Teacher In Spotlight

Robert S

Instruments: Voice Drums

What do you think is the hardest thing to master on your instrument?
The voice is the most challenging musical instrument because of the many musicianship skills it take to master it. While instrumentalists enjoy the luxury of being able to articulate music using external triggers such as sticks, bows, slides, valves, and keys, improving vocal technique still requires dexterity and the development muscle memory to achieve successful navigation. All musical instruments have different intrinsic challenges derived from their various mechanical designs, however, the voice is activated internally by sending a controlled airstream to the larynx. The experience of singing is entirely physical and in addition to the moving parts of the larynx, vocal training involves learning how to manipulate the rib cage, diaphragm, throat, soft palate and lower jaw to best support the connection of breath and sound to the voice. Additionally, since the head and throat serve as resonance chambers, singers must learn how to physically develop tone quality, timbre and vocal colors using these devices. Essentially, a singer’s musical instrument is their body and each is naturally equipped with its own personal attributes.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For my voice students I like to begin with Anne Peckham's The Contemporary Singer because it provides the perfect warm up regimen for all musical idioms, including pop, R&B, jazz and classical styles. Anne's book provides perfect exercises for essential breath management skills, which affect intonation and phrasing. Students studying scat singing with me will learn mostly by rote but more advanced singers will use "Scat! Vocal Improvisation Techniques" and "Blues Scatitudes." In addition, I like to use the Vocal Real Book for jazz standard repertoire and will support any song the student would like to sing including pop, rock, Latin and Broadway show tunes. FInally, if the student needs to work on rhythms and/or rhythmic feel, I use my book "Rhythmania," which is call-response rote-learning format. Beginning drummers will enjoy a 3-step rote-learning process I call "Hear it, Sing it, Play it." Simultaneously I teach the traditional rudiments using a classic book called "Stick Control" written by George Stone. Intermediate to advanced drummers interested in playing jazz music use Ted Reed's "Syncopation for the Modern Drummer, "Advanced Techniques," by Jim Chapin, "Reading in 4/4," by Louis Belleson and David Weigart's "Jazz Workshop for Bass and Drums. Pop/rock/R&B drummers will enjoy Bill Elder's A Drummer's Guide to Contemporary Grooves," Paul Cappozzoli's "Around the Drums," and "Essential Stryles for Drums and Bass by Steve Houghton & Tom Warrington. I choose all my teaching approaches and books based on the student's interest, musical goals and proficiency level.

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