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Featured Piano Teachers Near Rancho Santa Margarita, CA

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Here are just a few of the many teachers offering Piano lessons in Rancho Santa Margarita . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Ani C

Instruments: Piano

I am Ani Cholakyan, a professional pianist and dedicated music educator with a rich background in classical music. My formal training began at the prestigious Tchaikovsky School for Gifted Children and continued at the Komitas State Conservatory in Yerevan, Armenia (former USSR), where I earned a Master’s degree in Piano Performance, with additional specializations in piano pedagogy and chamber ensemble performance. My expertise includes teaching piano technique, musicianship, music theory, ear training, and sight-reading, tailored to students of all ages and skill levels. Read More

Danielle C

Instruments: Piano

I tailor each lesson to the individual student and we set realistic goals. Some students want to learn more challenging pieces and we may work on the latter for a few weeks to a even a few months. Other students feel better working on one piece a week and then moving on. I give great constructive feedback to help improve the students rhythm, musicality, musicianship, and finger placement. All of my students practice more when they love a piece so I try to assign them pieces that interest them. Read More

Antony E

Instruments: Piano Guitar Drums Bass Guitar Ukulele Recorder Conga Music Keyboard Acoustic Guitar

I've had the opportunity to teach Ensemble music in a High school for students between 12-16 years old. Also did master classes for adults looking into genres like Boleros, Vals and Classical Music (Nylon Guitar). I've had 50= students doing private lessons with me and couldn't be happier of the results that they made with me. I've also found that a combination of classical and modern music can go a long way in helping students enjoy the piano and motivate them to practice and continue to learn. Read More

Dean K

Instruments: Piano Guitar Trumpet

I started out tutoring in college to help out, then was asked by the school district if I would tutor professionally, to the elementary students in the San Bernardino CA area. I have since expanded to tutoring privately, and have taught anywhere from 5 year olds learning piano to high school students wanting that coveted first chair position in trumpet to college level students wanting to learn guitar and beyond. I've even taught music theory and basic voice. Read More

Jamie C

Instruments: Piano

I have been teaching piano for more than 25 years and my students have been prize winners in local competitions and festivals as performers and composers.  Former students have gone on to attend universities such as Cornell, Columbia, Brown and other well known colleges.  I am an experienced church organist and accompanist for vocal and instrumental soloists as well as choirs. I am an experienced  chamber musician and am the founder and pianist  of the Papillons Piano Trio which performs locally. Read More

Kenneth H

Instruments: Piano Drums Organ Synthesizer Mallet Percussion Orchestral Percussion Latin Percussion Music Keyboard Djembe

I am a professional musician with 15 years of experience, performing at the Kennedy Center, Carnegie Hall, Schermerhorn Symphony Center, Great Hall of the People in Beijing, China, Studio 54 and all around the world. As an educator, I've taught K-12 for the last seven years, focusing on modern band instruments like guitar, bass, drums and keyboard. My curriculum at school is inspired by School of Rock, the movie, and focuses on teaching students the instrumetns and music of the modern rock band. Read More

Teacher In Spotlight

Robert S

Instruments: Voice Drums

What do you think is the hardest thing to master on your instrument?
The voice is the most challenging musical instrument because of the many musicianship skills it take to master it. While instrumentalists enjoy the luxury of being able to articulate music using external triggers such as sticks, bows, slides, valves, and keys, improving vocal technique still requires dexterity and the development muscle memory to achieve successful navigation. All musical instruments have different intrinsic challenges derived from their various mechanical designs, however, the voice is activated internally by sending a controlled airstream to the larynx. The experience of singing is entirely physical and in addition to the moving parts of the larynx, vocal training involves learning how to manipulate the rib cage, diaphragm, throat, soft palate and lower jaw to best support the connection of breath and sound to the voice. Additionally, since the head and throat serve as resonance chambers, singers must learn how to physically develop tone quality, timbre and vocal colors using these devices. Essentially, a singer’s musical instrument is their body and each is naturally equipped with its own personal attributes.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For my voice students I like to begin with Anne Peckham's The Contemporary Singer because it provides the perfect warm up regimen for all musical idioms, including pop, R&B, jazz and classical styles. Anne's book provides perfect exercises for essential breath management skills, which affect intonation and phrasing. Students studying scat singing with me will learn mostly by rote but more advanced singers will use "Scat! Vocal Improvisation Techniques" and "Blues Scatitudes." In addition, I like to use the Vocal Real Book for jazz standard repertoire and will support any song the student would like to sing including pop, rock, Latin and Broadway show tunes. FInally, if the student needs to work on rhythms and/or rhythmic feel, I use my book "Rhythmania," which is call-response rote-learning format. Beginning drummers will enjoy a 3-step rote-learning process I call "Hear it, Sing it, Play it." Simultaneously I teach the traditional rudiments using a classic book called "Stick Control" written by George Stone. Intermediate to advanced drummers interested in playing jazz music use Ted Reed's "Syncopation for the Modern Drummer, "Advanced Techniques," by Jim Chapin, "Reading in 4/4," by Louis Belleson and David Weigart's "Jazz Workshop for Bass and Drums. Pop/rock/R&B drummers will enjoy Bill Elder's A Drummer's Guide to Contemporary Grooves," Paul Cappozzoli's "Around the Drums," and "Essential Stryles for Drums and Bass by Steve Houghton & Tom Warrington. I choose all my teaching approaches and books based on the student's interest, musical goals and proficiency level.

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