Saxophone Lessons New York

Instruments: Saxophone, Flute, Piccolo

Instructor provided or students' own material. Rubank Yamaha Band Method Easy Breeze Standard repertoire Contemporary Cover Read More

Instruments: Piano, Saxophone, Flute, Clarinet

My first love is jazz, and as such I have a strong love of improvisation and aural skills, which I believe are relevant in all forms of music (even Bach improvised!). Once some fundamental skills and theoretical knowledge is ascertained, I like to build on more advanced musical skills like learning songs by ear, being able to identify certain common chord progressions, helpful tips for memorizing pieces, and learning to personalize music through expressive techniques and improvisational application where appropriate. Read More

Instruments: Piano, Trumpet, Saxophone, Flute, Clarinet, Drums

My teaching includes all aspects of music; Musical theory, sight singing, as well as Music History. My teaching style allows the child to have fun while they learn their instrument, but I emphasize a strong practice regiment. Your child will understand that while learning music and an instrument can be fun, there will be some work involved if they want to become great. I usually use either the Alfred or Rubank method books to supplement a curriculum that I tailor make for each individual student. Read More

Instruments: Saxophone

For younger students/beginners, I am a huge advocate of the Rubank Elementary Method for Saxophone, since it covers a lot of the basic materials such as note values, scales, and arpeggios. For students who have progressed past this stage, I introduce "The Art of Saxophone Playing" by Larry Teal which introduces some more advanced rhythmic and articulation concepts. For saxophone students of all levels I strongly recommend Sigurd Rascher's "Top Tones for Saxophone" because it develops a students understanding of how to develop a strong sound and knowledge of the overtone series. Read More

Instruments: Piano, Guitar, Saxophone, Flute, Synthesizer, Keyboard

I do, however, allow diversion and conversation in lessons. If there is a song that may explain the musical idea, we will stop and listen. If a young child wants to relay a story from school they thought of because of our practice, I will stop and listen. I may also speak in depth about musical history, style, or even the psychology of music. I think this combination draws students into the mind of a musician, and gets them to start thinking like one. Read More