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Featured Saxophone Teachers Near Kirkwood Voorhees, PA

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Here are just a few of the many teachers offering Saxophone lessons in Kirkwood Voorhees . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Daniel M

Instruments: Saxophone

In my fifteen years on the saxophone, I've played in all sorts of musical environments and styles, equally comfortable sitting in a swing band as standing in front of an orchestra. No matter what skill level you are or what genre you're hoping to learn, I will be able to help you find ways to improve your sound and style. As my student, you will develop not just your finger work, tonguing, and breathing, but also fundamental listening and analyzing skills that will help you become a more well-rounded, thoughtful, and expressive musician. Read More

Andrew M

Instruments: Saxophone Flute

My goal with my students is to tailor a specific lesson plan for that individual's musical needs. Some of my favorite books to use though are the Rubank series. I find this to be a very good book to help grasp the fundamentals of the instrument for beginning players. Once I feel they are ready then I will move them on to specific pieces that are appropriate for their skill level. Read More

Tyler H

Instruments: Saxophone Flute Clarinet

My teaching style emphasizes areas that the student enjoys playing, as well as method books and technique exercises that will advance their playing. Developing and solidifying core concepts in lessons is more important to me than speeding through exercises in a book, and I always stress the importance of doing things right before moving on. I encourage my students to practice at their own pace, however I always stress that picking up the instrument for even just ten minutes a day for a week is better than one day for an hour. Read More

Erika M

Instruments: Saxophone Clarinet

For beginning students who are children, I typically teach the book that they use in band class. If they/the parents would prefer a specific book or are not in band, I typically use Standard of Excellence, the red book and then progress to the blue book. Once the student understands the fundamentals and has progressed, I then begin to introduce solo repertoire appropriate for their first recital performance.  For adults, I learn of what the student is interested in and then I guide my instruction accordingly to keep the lessons engaging and fun, no matter the ability. Read More

Roger R

Instruments: Saxophone Clarinet

I encourage progress. I love to see students become stronger and more confident musicians. I like to get students as much into "the real world" as possible, so I push for getting students performing as much as they are learning. I separate practice from performance, with an understanding that how a student sheds will be the core of what is possible in a performance setting.  Read More

Rachael S

Instruments: Saxophone Clarinet

I am a devoted music teacher and passionate performer, who likes to inspire my students to love making music. I perform with orchestras and chamber groups all over the Pennsylvania/Ohio area including the West Virginia Symphony orchestra. Additionally, I have an active chamber group, Kassia Ensemble, a mixed instrumentation group dedicated to furthering women's leadership in the arts. I graduated from Carnegie Mellon University in 2006 having studied with Thomas Thompson of the Pittsburgh Symphony.  Read More

Joseph H

Instruments: Piano Guitar Voice Trumpet Trombone Saxophone Flute Clarinet Drums Ukulele Recorder French Horn Piccolo Orchestral Percussion Keyboard Electric Guitar Djembe

For piano students, I prefer Alfred's methods, whether the adult or for beginners. For band and orchestra, I use Essential Elements (or whatever their school is using), and supplement with Rubank's methods. For voice, I concentrate on whatever the student is interested in, with a foundation of good technique and understanding of the voice range and how to control it, with some solfege and sight-singing mixed in. Whatever the instrument, I follow and listen to the student to understand what they need, and change my curriculum to suit them. Read More

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