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Featured Voice Teachers Near Sacramento, CA

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Here are just a few of the many teachers offering Voice lessons in Sacramento . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Tony S

Instruments: Piano Guitar Voice Drums Bass Guitar Conga Electric Guitar Djembe Classical Guitar Acoustic Guitar

I began teaching Guitar and Piano during college as a way to expand my playing and teaching skills. Over the years I gained extensive knowledge of teaching techniques and how to work with students at all levels, ages, backgrounds, and understanding of theoretical music application. I handle my students with care, respect, and motivate them through positive reinforcement of their milestones while learning. Moreover, I have taught guitar and piano to over 200 students in the last decade - many have pursued careers in music, and some have even surpassed my accomplishments. Read More

Andy L

Instruments: Piano Voice

For children, I begin with Donald Waxman's Pageant for Piano series. The pieces are quite fun, and also good for technique. The illustrations also offer many opportunities for story-making and engagement. For adults, I begin with James Bastien's The Older Beginner Piano course, and for intermediate learners, supplement it with pieces from Bartok's Mikrokosmos, Czerny, Kabalevsky, Burgmuller's 24 Etudes, duets and various other literature as appropriate. Improvisational skills may also be taught. Read More

Kerri S

Instruments: Voice Music

After that, I began a private studio out of my home and have been teaching privately at my in-home studio ever since. I also have experience teaching Music Theory and Ear Training, Music Appreciation and Private Voice Lessons at the college levelas an Adjunct Professor at Kishwaukee College in Malta, IL. I have always loved and enjoyed teaching! It has probably been one of the most rewarding experiences of my life and I am always eager to welcome new students of all ages! Read More

Wendy D

Instruments: Voice

I am an energetic instructor who loves to share my love of music and theater with my students. I graduated with a theater degree from UC Irvine, but have significant musical/voice training as well. I was a professional musical theater actress for 10 years and also spent 4 years performing on Cruise Ships in revue companies and as a headliner. I have performed in Carnegie Hall and all around the world. Read More

Sierra Z

Instruments: Piano Voice Ukulele Keyboard

My teaching experience dates all the way back to early high school, when I taught piano lessons to kids in my local neighborhood. In college, I continued teaching as a part time job while at home during the summers, and when I returned home from touring, I taught at several studios in the Sacramento area, teaching private voice and piano, and classes I designed curriculum for, such as Musical Theatre for Beginners, "We Sing Disney", and Singing for Ages 8-12. Read More

Patrick M

Instruments: Guitar Voice Drums Bass Guitar Synthesizer Electric Guitar Acoustic Guitar

I'm a singer/songwriter first, and foremost. My passion for music leads to an enthusiasm to teach. I've been in bands since I was in Jr. High. My certification is as an Indie Artist from Musicians Institute in Los Angeles. I specialize in teaching songwriting, and creative playing. I've been playing solo since 2008, and have since started learning drums, bass, as well as the recording process. I know that my lessons will provide value, and hopefully inspiration as well. Read More

Susan J

Instruments: Voice

I do create my own custom lesson plan for each student depending on their age, experience and desire. I include acting, vocal warm ups, tongue twisters, song selections and audition prep and stage presence and microphone use. I send each student a specifically designed program that will best suit their needs and is age appropriate. Thus, they have a lot of material to practice from vocal warm ups, tongue twisters, different musical genre including all types and a vast selection of acting scripts, commercial copy, monologues, vocal warm ups, tongue twisters, different musical genres including all types from them to choose from. Read More

Teacher In Spotlight

Robert G

Instruments: Guitar Voice Ukulele Acoustic Guitar

What does a normal practice session look like for you?
Since I believe that building a relationship with my students is fundamental to my effectiveness with them, typically, I'll ask the student how they are doing, how their past week has been for them. if they have a crisis, I give them time to vent and decompress--if all is well, we'll do a brief social catch-up, we smile and get into the lesson... Structurally, my protocol after that initial socializing is: 1-- I ask if everything we discussed/practiced last week made sense... 2--If not we review the questioned items... 3--I ask "What did you take home from last lesson" 4--They demonstrate --and I assess their progress... 5-I themn move into my lesson plan, couching it in terms of whta was touched on lasrt week.... 6--We close the lesson with an assignment of how to take the skill/technique of today's lesson into actual practice at home, This typically involve me demonstrating on via a phone video camera...

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
My Msaters in related to the field of Education

What musical accomplishments are you most proud of?
I have the grace every weekend of being a choir director who helps choristers enjoy the delight of singing their hearts out while we as a group help feed the hearts and souls of the folks who come to the table... I have published scores of songs that have become staples of weekly Sunday services... I have over my teaching career helped hundreds of students express their joy in song and in their instruments...

Have any of your students won awards or been selected for special honors? How have they succeeded?
Indeed, having taught for 30 years+, I have proudly watched many of my students become professional musicians and teachers themselves...Such is a joy indeed to see student live their passion....

What do you think is the hardest thing to master on your instrument?
As with any instrument, with the guitar and the voice, it is not about simple "getting eh right note.." That's eh easy part--IT's COMMUNICATING the intent and power of that note and the passage that is the true purpose of this and any art....

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
Through my education I have been exposed to all of these approaches, and they each in their way have influenced my rather eclectic pedagogical philosophy. My first task with a student is to carefully assess where thy are, how thy learn, and what they want to learn----From there, I draw from each of thse methodologies the techniques and approaches that best meet each student's particular needs.

Why did you choose your primary instrument?
I've always been a singer, so choosing an instrument that would allow me to also sing was definitely a more logical choice that tuba... My parents were not wealthy, so a $100 guitar was more realistic than a $5,000,piano, so, guitar it was!

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Recent Articles from the Musika Blog

Famous Violinists That Inspire Through History

...from the techniques and philosophy she first taught to her students.   Isaac Stern (1920 – 2001)   How do you get to Carnegie Hall? Perhaps a more important question is why is Carnegie Hall still standing? Give a nod to Isaac Stern, who in 1960 led the charge to save the famous performance venue. This famous violinist made his debut at Carnegie Hall in 1943, and he couldn’t bear to see the venue demolished. The conservation effort was successful, and musicians to this day are able to perform in the Isaac Stern Auditorium/Ronald O. Perelman Stage. Musically speaking, Stern was a prolific musician... Read More

Hey Soul Sister Chords for Acoustic Guitar (Train)

...  Useful links Lyrics and Chord Tabs Read more on Wikipedia     Song Specs Title: Hey, Soul Sister Artist: Train Songwriters: Patrick Monahan, Amund Bjørklund, and Espen Lind Album: Save Me, San Francisco Key: C (Capo at 4th fret, actual key is E) Tempo: 98 Chord Progression: C–G–Am–F Accompaniment Technique: Open Chords, Pulsing and Boom-Chicka Strumming   Playing Tips Here are some helpful tips to keep in mind when learning the Hey, Soul Sister chords. I provided some useful links above and I’ll take you through the chords, accompaniment patterns, song form, and chord chart. Everything you need to get ... Read More

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Jazz Exercises for the Saxophone: Advanced Studies in 12 Keys

...Introduction to the Final Part of the Series   This blog post is the fourth and final part of a series on learning how to play comfortably in 12 keys entitled Jazz Exercises for the Saxophone. Does this mean that you’re now an expert on playing in 12 keys? No. This series is meant to be an introduction of sorts. It is not a comprehensive method. Remember, studying jazz is a lifelong process. I don’t have any more clever anecdotes or hypothetical situations to explain why learning to play and think comfortably in all the keys is incredibly important. Just ... Read More

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...far I have provided a very small amount of context and given examples of the plethora of tools that Kodály inspired teachers use in the music classroom. I find it important at this juncture to emphasize that while the Kodály approach was originally developed to aid in strengthening a nation’s cultural identity through music literacy, it does not end there. Although its inception was several decades ago, in a completely different country halfway around the world, a Kodály inspired philosophy and pillars of music education are most certainly applicable to modern day music education. By building a strong foundation of ... Read More
Famous Violinists That Inspire Through History
Hey Soul Sister Chords for Acoustic Guitar (Train)
Reading Music for Beginners: Rhythm and The Staff
Jazz Exercises for the Saxophone: Advanced Studies in 12 Keys
The Kodály Approach – More than Hand Signs

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