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Featured Voice Teachers Near Fairfield, CT

4272   5 STAR Musika Reviews

Here are just a few of the many teachers offering Voice lessons in Fairfield . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Corinne M

Instruments: Voice

I have been discovering my love for teaching for the last 5 years. I started within my undergrad school. I graduated from Western Carolina University in May 2015 with a Bachelor of Music degree in Vocal Performance (Classical) as well as a minor in Psychology. I was able to perform my first professional show with Asheville Lyric opera as a chorister in La Traviata in 2012. I trained with multiple professionals through the Crittenden Opera Workshop in Boston and The Torggler Institute in Newport News, VA. Read More

Henry P

Instruments: Piano Voice Organ Synthesizer

Henry has been playing piano all his life, teaching privately for over ten years and has been working with Musika for six. He has also worked as the choir director at his church for eight years. He has studied classical piano privately with Donald Garcia (at William Paterson College), jazz piano with John Firrincieli, and composition with Dennis Busch and 20th century composition privately with Dr. Jeffrey Kresky (William Paterson College). Read More

Courtney C

Instruments: Voice Music

One thing I love to implement early on is that your student shouldn't put themselves in a box. Many singers refer to themselves as "an opera singer" or "a belter" and I believe that all-singing styles benefit each other. There is a healthy way to explore all singing styles, and being fluent in those styles will make you more versatile throughout your whole life. For beginning singers, I would begin with the basics of music reading and simple melodies that would be recognizable to their ears. Read More

Robert K

Instruments: Piano Guitar Voice Drums

I love to have fun in my lessons. No single student understands the same thing the same way so I take the time to listen/understand them as a person and as a musician. While it would be wonderful if all of my students became virtuosi musicians, I understand that sometimes math class may be at the forefront of their attention. That said, practice is still required. Like a doctor, I prescribe solutions to students to help them achieve their goals and will do everything I can to help them to succeed but if they dont take the remedy, success is can be quite slow. Read More

Angelica D

Instruments: Piano Voice Trumpet Trombone Clarinet Euphonium Tuba

For beginning students, I always start by learning the notes on the staff that corresponds with their specific instrument. Knowledge and confidence of this is crucial to the learning process. Next, I pick a method book to work through to learn the fundamentals. For trombone, I use Rubank's "Elementary Method." It is a great progressive studies that has great explanations, exercises, etudes, duets, mini-solos, scales studies, and more for young students. Read More

Joe P

Instruments: Piano Voice Trumpet Trombone Saxophone Flute Clarinet Recorder Euphonium French Horn Tuba

I'm very grateful to be able to teach music and share my passion. My professionalism, and friendly personality will help musicians of all ages. I want my students to enjoy their lessons with me. I will teach my students how to get better on there instruments and I will motivate them to want to practice. I'll also provide my students with different music that I want them to listen to that will help them see how cool and amazing it is to be a musician. Read More

Jade L

Instruments: Piano Voice

The study of vocal production, articulation, semantics, and syntax follows a logical, developmental progression that allows the artist finally to let go of technique and focus on the pragmatics of communication: identifying objectives, impulsively choosing tactics based on moment-to-moment sensory experience, and effectively acting in relationship with others. I value student diversity and I am particularly sensitive to issues of voice and identity. In the process of identifying personal habits of vocal use, I encourage students and performers to embrace and expand upon their sense of individuality. Read More

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