619-346-4546
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23 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
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619-346-4546
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Here are just a few of the many teachers offering Piano lessons in Vista . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Guitar Trumpet Trombone Saxophone Flute Clarinet Drums Recorder Mallet Percussion
I have 14 years of experience working with Elementary and Middle School aged musicians in a variety of capacities. I began my career as a Band Director, working with at-risk students in an after school program which served both Coachella Valley and Desert Sands unified school district. I later took a position with San Marcos Unified School District as a k-5 general music teacher, working with a student body of 1100 students on multiple focus areas, including group piano, musical theater, instrumental music and vocal music. Read More
Instruments: Piano Guitar Voice Drums Organ Latin Percussion
It's always a great feeling to see one of my students successfully performing a piece of music that they have been working hard on. Sometimes a student may feel they are not progressing as quickly as they want to, but I always encourage the students that as long as they are progressing at any kind of pace, they're getting better. I always make sure that my student's are learning something new to keep them engaged. Read More
Instruments: Piano Voice
My teaching experience dates back to my college days teaching private lessons both in my home studio and students' homes, and have been consistently teaching students in their homes for the last 13 years. Encouraging younger students to have a consistent schedule for a regular practice will help the students progress and gain a passion for the instrument. Combining classical and modern music help students enjoy the piano and motivate them to practice and continue to learn. Read More
Instruments: Piano
I encourage my students practice at least a minimum of 30 minutes a day. I don't have one particular book I work from as I see every student is different. I do require that they have a theory book because I believe learning the theory is just as important. Regardless of their age, I encourage them to find a piece within their level that they would enjoy learning to play. Read More
Instruments: Piano Flute
Out of college and newly married, I began teaching both piano and flute. When babies came along, I focused on them instead. But after they were grown, I went back into music headlong! I became involved in a lot of performing as well as a lot of teaching. I would estimate that my total teaching experience, with both flute and piano, is at least twenty years. I love sharing music with others, and I enjoy watching students develop and mature. Read More
Instruments: Piano Guitar Voice Ukulele Keyboard Classical Guitar Acoustic Guitar
As I mentioned before, my teaching style can best be described as easygoing, but precise and adapted to each students needs. I focus on the person trying to learn as much as on the learning itself. Yet, Im not demanding or harsh in my delivery or expectations. Rather than a standard, vanilla approach, I try learn my students personality, learning style, and sense of humor pretty quickly and work to adapt the facts and knowledge of music to each student as an individual human, not an appointment. Read More
Instruments: Piano Violin Cello Viola
I began my musical education with violin at age five and then with viola at ten. I went to Yewon Arts Middle School and Seoul Arts High School with viola. I won the Music Journal Competition and held my winner recital in Seoul, South Korea at age sixteen. After moved to Orange County, California, I continued my musical education with Iman Khosrowpour and Robert Becker. I hold a Bachelor of Music degree in Music Performance from Chapman University in Orange, California As a performing musician, I have been a violist in many different types of ensembles including chamber orchestras and strings ensemble. Read More
Instruments: Voice Drums
What do you think is the hardest thing to master on your instrument?
The voice is the most challenging musical instrument because of the many musicianship skills it take to master it. While instrumentalists enjoy the luxury of being able to articulate music using external triggers such as sticks, bows, slides, valves, and keys, improving vocal technique still requires dexterity and the development muscle memory to achieve successful navigation. All musical instruments have different intrinsic challenges derived from their various mechanical designs, however, the voice is activated internally by sending a controlled airstream to the larynx. The experience of singing is entirely physical and in addition to the moving parts of the larynx, vocal training involves learning how to manipulate the rib cage, diaphragm, throat, soft palate and lower jaw to best support the connection of breath and sound to the voice. Additionally, since the head and throat serve as resonance chambers, singers must learn how to physically develop tone quality, timbre and vocal colors using these devices. Essentially, a singer’s musical instrument is their body and each is naturally equipped with its own personal attributes.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For my voice students I like to begin with Anne Peckham's The Contemporary Singer because it provides the perfect warm up regimen for all musical idioms, including pop, R&B, jazz and classical styles. Anne's book provides perfect exercises for essential breath management skills, which affect intonation and phrasing. Students studying scat singing with me will learn mostly by rote but more advanced singers will use "Scat! Vocal Improvisation Techniques" and "Blues Scatitudes." In addition, I like to use the Vocal Real Book for jazz standard repertoire and will support any song the student would like to sing including pop, rock, Latin and Broadway show tunes. FInally, if the student needs to work on rhythms and/or rhythmic feel, I use my book "Rhythmania," which is call-response rote-learning format.
Beginning drummers will enjoy a 3-step rote-learning process I call "Hear it, Sing it, Play it." Simultaneously I teach the traditional rudiments using a classic book called "Stick Control" written by George Stone. Intermediate to advanced drummers interested in playing jazz music use Ted Reed's "Syncopation for the Modern Drummer, "Advanced Techniques," by Jim Chapin, "Reading in 4/4," by Louis Belleson and David Weigart's "Jazz Workshop for Bass and Drums. Pop/rock/R&B drummers will enjoy Bill Elder's A Drummer's Guide to Contemporary Grooves," Paul Cappozzoli's "Around the Drums," and "Essential Stryles for Drums and Bass by Steve Houghton & Tom Warrington. I choose all my teaching approaches and books based on the student's interest, musical goals and proficiency level.
23 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in Vista to students of all ages and abilities.
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