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Instruments: Cello
I have toured with Eric Genuis Concerts for Hope, performing piano trio music in state prisons across the US. I have been a soloist with the Valley Winds, Holyoke Civic Symphony, Interlochen Arts Academy Choir, and a featured performer with the Opus One Chamber Orchestra, Purchase Symphony Orchestra, and New York Virtuosi Orchestra. I have been guest principal cello with the New York Chamber Players, Mid-Atlantic Symphony, Glens Falls Symphony, Garden State Philharmonic, and performed with the cellos sections of the Savannah Philharmonic, Monteux Festival Orchestra, Brooklyn Metro Chamber Ensemble, Long Island Concert Orchestra, and New York Metamorphosis Ensemble. Read More
Instruments: Cello
I teach anyone who shares the passion for cello (or violin, or chamber music). I tend to attract many adults who always wanted to play the cello, but postponed it, and finally decided its now or never. Similarly, I teach a number of adults who played through adolescence, but quit, and now want to return to playing. Ive been teaching since I was a teen-ager, and fortunately, multiple decades later, Im still cherishing every student, every moment of music making. Read More
Instruments: Cello
I started teaching regularly in college. For 7 years, I have always had some semblance of students whether they be private or part of an afterschool program. I like working closely with each students, getting each of them to branch out and challenge themselves. It is through this method that I find what really interests them and move to pursue that interest. I teach elementary age students who can barely hold a cello to students of my own age. Read More
Instruments: Piano, Guitar, Voice, Violin, Cello, Viola
My method is very flexible and student specific. Everyone learns slightly differently and has their own unique strengths. In general, I have a "sound before sight" method. Students learn music thoroughly, aurally and theoretically before trying to read it off the page. Imagine trying to learn a language by being handed a book. We then use your innate understanding of the music to inform your technique and the way you approach the instrument. Read More
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