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Featured Piano Teachers Near Lexington, MA

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Here are just a few of the many teachers offering Piano lessons in Lexington . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Noom S

Instruments: Piano

I have been teaching piano since 2010. I started teaching part-time on weekends at the best music academy in Thailand called "KPN Music Academy" having more than 50 branches nationwide. After I graduated from law school in Thailand, I started teaching 2 branches of KPN and I also provided private lessons to students at home. Overall, I taught over 30 kids and among them achieved successful results from Trinity College London Piano Examination (at least pass with merits). Read More

Eunhye J

Instruments: Piano

I have been teaching piano since 2005 and been very active in Greater Boston area since 2014. I've had students aged from 4 to mid-50. I also worked as a tutor at Berklee College of Music during my study. Dicipline may be the most important thing to emphasize in the very beginning stage of learning. But I see learning piano more as a creative process, encouraging students to have a personal connection with the instrument by introducing songs they know, helping them to write simple songs and so on. Read More

Ran L

Instruments: Piano French Horn

As a piano teacher, I coached elementary students on basic piano skills, like Bayer piano introductory course, Czerny Op. 599, Op. 299, Hanon sixty exercises for the piano, Piano Adventures by Nancy and Randall Faber, John Thompson's Modern Course for the piano and Sonatina album. As a horn player, I have a lot of orchestra experience. I joined the China Youth Symphony Orchestra as a freshman in September 2010, which allowed me to improve my professional skills and my ability to work as part of a team. Read More

Lynne B

Instruments: Piano Guitar Voice Saxophone Flute Clarinet Organ Synthesizer Recorder Piccolo Keyboard

My methods of choice for instruction are many due to the amount of instruments that I teach and the many levels of mastery within each concentration. For most woodwinds I begin with the Rubank family of methods and duet books. I favor many of the Berklee press books for music theory, voice, keyboards, genre studies, guitar, bass, composition, ear training, harmony and arranging. The Schirmer library of classical piano pieces is often used. Read More

Felipe A

Instruments: Piano Guitar Bass Guitar Ukulele Music Electric Guitar Classical Guitar Acoustic Guitar

As students progress, I encourage exploration across various genres. Drawing from my diverse experiences, I guide students through the nuances of different styles, techniques, and interpretations. For more advanced students, I emphasize creativity and personal expression. I often incorporate improvisation exercises, composition challenges, and collaborative projects. This not only nurtures their musical individuality but also prepares them for real-world performance scenarios. I believe in a student-centered approach, where open communication and feedback are key. Read More

Liz T

Instruments: Piano Saxophone Flute Clarinet

Musika LLC. | Flute Instructor, New England Area, 2011-Present Community Youth Orchestra of Boston | Flute Mentor, Concord, 2009 POSJU | Music Teacher, San Juan, PR 2004-06 Read More

Cesar O

Instruments: Piano

I am an energetic and patient (promise) teacher. I studied Piano at Music Conservatory of Porto (Portugal). I decided to become a composer and moved on to graduate in Music Composition in Lisbon, and to having my music performed in Europe and the United States, by world class orchestras (like Gulbenkian Orchestra and Orchestrutopica), and world class conductors (like Beat Furrer and Christopher Bochmann), but to this day I never stopped studying piano, playing piano, composing for piano and yes, of course, teaching piano. Read More

Teacher In Spotlight

Coleman H

Instruments: Piano Voice Synthesizer Keyboard

Why did you choose your primary instrument?
My grandfather was a rag-time and blues pianist, completely self-taught and played everything by ear. He died when I was very young, and I never really heard him play, but one day I just started playing songs by ear and started teaching myself the piano year by year, and the rest is history! I really started learning the jazz language seriously in high school, and then started to master it in college!

Did you have a teacher that inspired you to go into music? How did they inspire you?
My high school band director of 2 years, before retirement, Mr. Massey, has been one of the best teachers I have ever known. He was the first teacher to truly push me, to get me out of my comfort zone, and to reach my potential the way nobody else saw yet. He was very tough on me, and sometimes I didn't see why, but it made me the musician I am today and inspired many of the methods I use as a teacher and a player that I still use today.

When will I start to see results?
Sometimes results will be hard to see, but I like to see results as becoming more comfortable with the material and challenges that a student is faced with. I strongly encourage my students to record themselves practicing, at jam sessions, listening to concerts, etc. Listening back to these will help students realize how far they have come, and how progression does occur even when it doesn't feel like it. In my vocal tech class at UMass, my teacher assigned us a task called 'video reviews' where we commented on our own singing from videos she recorded in class. Listening to these, I couldn't even believe some of the improvements and accomplishments I had made from earlier in the ear, and would not have realized if it weren't for those videos or that assignment. Progress and results are interesting aspects of music, and they are sometimes invisible, but I promise they always come, whether in small or massive forms!

What advice do you have about practicing effectively?
Practice with intent! Instead of practicing what you know or what you're already good at, spend more time completely focused on playing those 2-3 bars that you don't know in a piece. Sometimes all you need in a practice session is to master 1 very difficult passage. Sometimes it's learning a whole piece in an hour or two. Create a plan with your teacher, or even by yourself, where you can make progress by a system, and remember that small victories are big victories! Trust me, they add up over time!

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