Adam is a Saxophonist and Woodwind specialist based in New York City. He has a myriad of prestigious awards and honors from a number of musical organizations. As a performer, he has toured throughout the United States, Taiwan, China, Holland, France, and Germany, and has also contributed to several albums. Adam is also a freelance writer for Downbeat Magazine and Hot House.  

Gary has held the position of Music Director for the Baltimore Opera Company, the Baltimore Opera Touring Theatre, Annapolis Opera Company, Minnesota Repertoire Theater, Minnesota Music Theater, and the Universities of Maryland and Minnesota. Gary was also the Co-Founder and Music Director of KinderOpera Theatre in Washington, D.C. Beginning his career as a singer, he apprenticed with the Santa Fe Opera, Des Moines Metro Opera, Minnesota Opera and the Goldovsky Opera Institute. He has directed and performed both on and off-Broadway, most notably in premieres by Terrence McNally and Katherine Houghton, the original Broadway production of The Phantom of the Opera, and a tour of Side By Side By Sondheim that was highly praised by Stephen Sondheim. Gary is also the proud author of 14 complete opera English surtitle translations and he was instrumental in the development and design of the first computerized surtitle systems used in U.S. opera houses. In addition to teaching voice, piano, musical theatre, acting/directing and improvisation at numerous U.S. colleges, he has been a coach/accompanist for such artists as Leontyne Price, Joan Sutherland, Eleanor Steber, Carol Neblett, Aprile Milo, Ruth Welting, Luciano Pavarotti, Richard Leech, James Morris, Jean Stapleton, Roberta Flack ... and Blondie. In December of 2007, Gary made his Carnegie Hall debut as a pianist to a sold-out house and standing ovation.  He currently teaches voice and piano at his own studio in North Brunswick, New Jersey.  A registered teacher with the Carnegie Hall Achievement Program, Trinity Guildhall Program (Trinity College London) and Music Teachers National Association, his students have won numerous competitions, awards and international recognition.

Multi Instrumentalist and composer Matt G, a native New Yorker, has been on the NYC jazz scene since 1997.  After taking an interest in music at an early age, his path eventually led him to jazz and improvization.  He cultivated the necessary tools to become a professional musician at The Purchase Conservatory of Music and has since shared the stage with jazz luminaries such as Adam Nussbaum, Andy Laverne, Todd Coolman, Ray Vega, Jon Cowherd, and the last Dennis Irwin.  Matt's debut album "Familiar Places" garnered critical acclaim and peaked at #13 on the CMJ Jazz Radio Chart.  "Blood Songs", Garrison's sophomore record, was released in May of 2012 and has already received glowing reviews.

A native to the Poconos, Matt began private saxophone lessons and played in the public school system at age 10. Quickly becoming interested in school jazz ensembles and the plentiful jazz scene that the Poconos had to offer, he began listening to and developing a relationship with many local musicians – David Liebman, Nelson Hill and Phil Woods to name a few. Upon graduation from high school, Matt completed his Bachelors of Music in Jazz Performance and Contemporary Media from the Eastman School of Music. During his time at the Eastman School he had the pleasure of playing in the Eastman Jazz Ensemble, Dave Rivello Ensemble, Saxology and toured with the Temptations and the Four Tops. Upon graduation Matt began working as a musician aboard Cunard and Princess Cruises traveling the Caribbean, Europe, the Mediterranean, Norway, United Kingdom and Iceland. In 2008 he was awarded a Masters Degree in Jazz Saxophone Performance from William Paterson University and in 2011 was awarded a DMA (Doctor of Musical Arts) in Jazz Saxophone from the University of Miami in Coral Gables Florida. During his time in Miami, Matt worked for the University’s Frost School of Music as the teaching assistant under Professor Gary Keller, where he taught private lessons and the Avant-Garde Ensemble. He was also the saxophone instructor at the New World School of the Arts in downtown Miami, Florida.

Daniel grew up in Toronto, Canada. He currently works as a free-lance composer, woodwind specialist, and educator. Daniel’s writing commissions span a variety of styles including jazz, pop, and music theater. He leads a 10 piece jazz ensemble and his own big band.  Most recently Daniel participated in the 2012 Metropole Orchestra Arrangers’ Workshop in the Netherlands. While there he had the opportunity to arrange for vocalist Kurt Elling and work with composer/conductor Vince Mendoza.  Daniel has appeared as a guest artist in jazz festivals across Canada and has performed as a soloist with the Toronto Symphony Orchestra. He has performed with artists such as Ingrid Jensen, Tony Malaby, Tim Ries, Guido Basso, and Dave Young to name a few. Daniel was awarded the Rising Young Star Award at the 2008 Prince Edward County Jazz Festival. Daniel received a Latin Grammy nomination along with Bobby Sanabria’s MSM Afro- Cuban Orchestra, which features Daniel on lead alto. Specializing in saxophones, clarinets, & flutes; Daniel has extensive pit-work experience on and off Broadway as a music director, orchestrator, and musician. Credits include: The Music Man, Chicago, How to Succeed in Business, Ragtime, Song Man Dance Man, & Scrooge in Concert. Dan attended the Claude Watson Arts Program at Earl Haig Secondary School and participated in the Humber College Community Music School Program. Daniel holds a Bachelor of Music degree in Jazz Performance from the University of Toronto where he studied with Tim Ries. Daniel also holds a Master of Music degree from the Manhattan School of Music where he studied with composer & pianist Jim McNeely.