303-569-4586
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24 Years
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303-569-4586
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Here are just a few of the many teachers offering Drum lessons in Denver . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Drums Orchestral Percussion Conga Latin Percussion
I take a very individual approach to my teaching plans- each student has their own attention spans, goals, interests and abilities! When I was first learning piano, I was frustrated by the music choices my teacher was picking for me and this usually made me not in the mood to practice. Over the years I've collected, written and purchased various pieces and exercises for both piano and percussion that allow me to create custom lessons for my students. Read More
Instruments: Piano Drums
Piano and Drum class descriptions: PIANO - Our emphasis will be on playing well-known songs, using the page you're reading, your ear, and your memory. With less emphasis on notation (we'll read the treble clef most of the time, and the bass clef almost never), and more on music theory and playing by ear, you'll move along quickly and feel like a part of the band in months, not years! Read More
Instruments: Drums Recorder Mallet Percussion Orchestral Percussion
I love teaching and seeing students progress in their skill. No student is like the next and I do my best to create an atmosphere for each student to get the most out of their time with me. I also make sure the understand how they should be practicing and the effective ways to practice. It is not as simple as saying, "Practice double strokes this week". The student needs to understand why they are learning the rudiment, tendencies of poor technique and how to monitor progress. Read More
Instruments: Drums
During this time I developed my skills in playing marching snare drum, drum-set, marimba, and concert percussion instruments. After graduating from Rangeview High School, I volunteered for a year as the drum line teacher. The following year, I became a paid percussion instructor, leading the group to win several competitions. During this time, I also attended the Community College of Aurora, studying studied Music, Business, and Film. My studies led me to attend the Recording Workshop - School of Audio and Music Production in Ohio, where I earned my certification in Music Production and Audio Engineering. Read More
Instruments: Piano Drums
It is important to install a sense of confidence and feeling of progression when teaching, so I make sure to acknowledge every student's progress along with the desired improvements. Everyone can improve at every skill level, so I believe it is important to let the student know the amount of progress they've achieved from hard work. Belittling is not something I believe is an effective method of having someone fall in love with anything, especially not music. Read More
Instruments: Drums Conga Latin Percussion Djembe
What advice do you have about practicing effectively?
Consistency is key! Practicing a little bit every day is better for your growth as a musician than practicing a lot one or two days a week. Always warm up with something you're familiar and comfortable with before pushing into new territory. And of course, practice with a metronome! It doesn't have to be clicking the entire time you practice, but every practice session should feature at least some metronome work. Playing to a click is a surefire way to improve your sense of time, and as a percussionist you'll want to have the best time feel you possibly can!
When will I start to see results?
Results will entirely depend on the amount of work you put in. While it is true that certain students will inherently have an easier or harder time than others depending on the material being taught, the ones who work the hardest and practice the most will be the ones who see results the quickest and make the most consistent progress. As a general rule, students who put in at least a few hours of practice a week can go from complete beginner to being able to play a few basic beats within a month or two.
What do you think is the hardest thing to master on your instrument?
The hardest part about playing the drums is being able to synthesize all you have learned to create music on the fly. That is, instead of pre-planning the beats and fills you're going to play, you instead make up beats and fills that suit the music as you go. This requires a lot of practice so that you're comfortable enough with the coordination required to start, stop, and switch between beats, all while remaining at the same tempo. You'll often be required to do so at different tempos and in different styles as well!
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
The materials I use depend on the genre the student is interested in. For rock, funk, and pop drummers, I tend to go with A Fresh Approach to the Drumset by Mark Wessels. The build-up of ideas throughout the book feels intuitive, and the backing tracks give students a way to practice the material in context. For jazz students, I use John Riley's books The Art of Bop Drumming and Beyond Bop Drumming. As far as I'm concerned, these two books are the gold standard for jazz drumset education, giving students a structured guide through several different aspects of jazz drumming, plus backing tracks and recommended listening. For those interested in Latin percussion, Ed Uribe's books on Brazilian and Afro-Cuban percussion are invaluable assets that go in depth about both individual percussion instruments and how those sounds are combined to make drumset grooves.
24 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Drum lessons in Denver to students of all ages and abilities.
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