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25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
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Here are just a few of the many teachers offering Drum lessons in Denver . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Guitar Drums Bass Guitar Acoustic Guitar
I have been playing music since I was about 8 years old. I started with the drums once my parents tired of my "playing" the kitchen! I started playing the drums at 11 years old and had my first student when I was old enough to drive. I started playing guitar at 25 when my life made keeping drums impractical. I picked up bass while playing with a small jazz group that did not have a bass player. Read More
Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Synthesizer Recorder Electric Violin Fiddle Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn
I ask all of my students to be prepared for their lessons with a notebook and pencil for lesson notes and assignments. I ask them to bring any materials they have and will often recommend books and supplemental material I have had success with. I believe in writing down notes that help students understand what they are learning, exactly what students should practice, and setting goals for their practice and overall progress. Read More
Instruments: Piano Drums Orchestral Percussion Conga Latin Percussion
Education is a central part of my life and will continue to be for my whole career. When I'm not teaching music, I teach English to kids living in China over the Internet! I have been teaching music for several years in individual, group and clinic settings. I recently graduated from the University of Iowa where I was lucky enough to study many different kinds of music. I became interested in Caribbean music and steelpan and through the University and had the great experience of competing in Panorama in Trinidad Tobago. Read More
Instruments: Piano Voice Drums Synthesizer Conga
Music Educator, Producer, Recording Artist, Multi-Instrumentalist, Culturist. *Founded and operated a Music school for teens and youth ( in Lansdowne, Virginia).Operated for 3 years before moving to New York City. *Worked for Sony Music in Artist Development and production for (Kat Dahlia) *Relocated to Denver in 2014 for new-media project. *Contract educator and teacher of various students in Denver..Music Theory, Piano Performance, Music Composition,Music Production,Voice Lessons, Choral Arrangement, Audio Recording.Jazz Voicing, Composition Arrangement. *Member of multiple music productions in Denver, Colorado Read More
Instruments: Piano Trombone Clarinet Drums Bass Guitar Euphonium Tuba Piccolo Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Keyboard
The first thing I do when teaching a student is to learn what musical goals and aspirations the student may have. Then, depending on age and experience, I build a custom program for the student, which may include using various books, resources, and even materials which I have created. I have found that this is not only the most effective way for me to teach but also the most effective way to connect with students where they are and for them to learn at their own pace while also enjoying the process. Read More
Instruments: Drums
I am more passionate about drumming and becoming a better drummer than any other pursuite I have encountered in life thus far. I have played in many bands covering almost every style and am convinced that every good drummer should be able to switch it up and play in any style demanded of them at anytime. The most popular bands I have played with are: Mercuria and the Gem Stars, Subterranean Safari, Instant Empire, The Yawpers, and my current band Eldren. Read More
Instruments: Drums Conga Latin Percussion Djembe
What advice do you have about practicing effectively?
Consistency is key! Practicing a little bit every day is better for your growth as a musician than practicing a lot one or two days a week. Always warm up with something you're familiar and comfortable with before pushing into new territory. And of course, practice with a metronome! It doesn't have to be clicking the entire time you practice, but every practice session should feature at least some metronome work. Playing to a click is a surefire way to improve your sense of time, and as a percussionist you'll want to have the best time feel you possibly can!
When will I start to see results?
Results will entirely depend on the amount of work you put in. While it is true that certain students will inherently have an easier or harder time than others depending on the material being taught, the ones who work the hardest and practice the most will be the ones who see results the quickest and make the most consistent progress. As a general rule, students who put in at least a few hours of practice a week can go from complete beginner to being able to play a few basic beats within a month or two.
What do you think is the hardest thing to master on your instrument?
The hardest part about playing the drums is being able to synthesize all you have learned to create music on the fly. That is, instead of pre-planning the beats and fills you're going to play, you instead make up beats and fills that suit the music as you go. This requires a lot of practice so that you're comfortable enough with the coordination required to start, stop, and switch between beats, all while remaining at the same tempo. You'll often be required to do so at different tempos and in different styles as well!
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
The materials I use depend on the genre the student is interested in. For rock, funk, and pop drummers, I tend to go with A Fresh Approach to the Drumset by Mark Wessels. The build-up of ideas throughout the book feels intuitive, and the backing tracks give students a way to practice the material in context. For jazz students, I use John Riley's books The Art of Bop Drumming and Beyond Bop Drumming. As far as I'm concerned, these two books are the gold standard for jazz drumset education, giving students a structured guide through several different aspects of jazz drumming, plus backing tracks and recommended listening. For those interested in Latin percussion, Ed Uribe's books on Brazilian and Afro-Cuban percussion are invaluable assets that go in depth about both individual percussion instruments and how those sounds are combined to make drumset grooves.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Drum lessons in Denver to students of all ages and abilities.
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