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Instruments: Piano, Guitar, Voice, Violin, Cello, Viola, Trumpet, Trombone, Saxophone, Flute, Clarinet, Bass Guitar, Ukulele, Recorder, Euphonium, French Horn, Tuba, Electric Guitar, Djembe
The most important philosophical concept about private lessons is this: proceed in a way that will maximize your potential to achieve an excellent goal that you can call your own. Although I am not limited to one method book or another, I typically use Arban's for trumpet lessons - with other books and repertoire along with it. My background is Suzuki violin, followed by music literacy and transposition. So, whatever method book we select, we must consider basic furthering of direct musical perceptions, in addition to achievement of stated goals. Read More
Instruments: Saxophone, Flute, Clarinet, Synthesizer, Music
For beginning students, we begin with learning how to read music and go over the basic fundamentals of playing the instrument. Then, we will go through the Rubank Elementary Methods books while including scales and practice techniques. We will also take time to listen to other instrumentalists and discover what concept of sound is best for you. For advanced students, we will start with fundamental reinforcement through scales, exercises, and sight-reading. Read More
Instruments: Flute, Recorder, Piccolo
I began teaching flute 10 years ago and successfully ran a private flute studio out of my home, which incldued students of all ages, skill levels and backgrounds. I encourage regular practice, instrument maintenance, and practice journaling for my beginning students, which helps to promote progress and enjoyment of music making. Having been trained by world renowned French and American flutists, I try to use all ofmy training to create a unique andindividual plan for each student. Read More
Instruments: Flute, Piccolo
My teaching style is casual with an emphasis on developing love for the music alongside a technical and musical understanding of it. I encourage this by promoting practice methods which are likely to foster a deep experience of the music in the student, setting realistic but challenging goals in lessons which require the student to grow in order to succeed, and providing honest feedback with lots of encouragement. By discovering how I can help the student to feel inspired, I can successfully guide them to a rewarding and enriching music-making experience. Read More
Instruments: Piano, Voice, Trumpet, Trombone, Saxophone, Flute, Clarinet, Drums
I use humor and my own experiences to first establish a caring environment in which the student can be comfortable. Once that connection is established, I like to find out the students interests and make sure a personal goal is set that we can achieve together. There has to be something exciting the student can achieve in order to develop self-motivation. I employ a number of tactics to stimulate self-expression and problem solving skills, as independent work and practice is crucial in any musician's journey. Read More
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