Violin Lessons Essex County, MA

Instruments: Violin

For young children, i would start by showing them Twinkle Twinkle, once the student is able to hold the violin and bow upright without my help, and they understand the basics of violin. For children and adults, i would start with the book A Tune A Day, cause it teaches the basics of playing the violin such as simple scales and arpeggios, and will allow the student to make progress with each song they learn. Read More

Instruments: Violin, Viola

I believe, that learning music should be enjoyable, rather than stressful. I  focuses not just on reading music and playing the notes, but also aural theory, playing without tension both mentally and physically, and understanding the music on an artistic and personal level. Read More

Instruments: Violin, Viola, Electric Violin, Fiddle

Hello, dear musicians! If you are not looking for your typical violin lesson, you have come to the right place. I started playing violin in a Suzuki method program, which taught me the importance of training your ear. I honed in my classical skills, and thereon pursued the unconventional in violin genres my going to Berklee College of Music. It gave me possibility to expand my ear even more with free improvisation, jam band, jazz, rock, funk, blues, pop, Middle Eastern and Latin genres, on top of orchestral and quartet playing. Read More

Instruments: Violin, Viola

My teaching experience dates back about four years, when I started teaching private lessons after finishing my studies at the University of North Texas. I maintained a large studio while also freelancing in the Dallas area. After moving back to New England to attend Boston University, I began working with the Boston Youth Symphony as a teaching assistant. For the past three years, I have been mentoring the string players in BYSO's ensembles and helping them to develop effective rehearsal techniques. Read More

Instruments: Guitar, Voice, Violin, Viola, Ukulele, Mandolin, Acoustic Guitar

Well, the indiscipline, the environment of family violence and the social insecurity that lived in that refuge, became what is evident in the previous image. It was the first time these children had seen a Cuatro. Some rules applied, for example, to enter the classes, we agreed as a condition, finish the task of the school and to keep the musical instrument in good physical condition. When I heard to Jose (a pre-teenager in the shelter who at his age was already bus-assistant worker) saying that he could now ride on the buses to play the Cuatro and gain money, on the one hand, I knew that Jose had found how with the Cuatro He could have a form of life, what seemed to me an advance, but in turn I understood that I had to do a class exclusively to show videos of professional Cuatro Players with the aim of make them understand that people have a world possibilities of with music, beyond riding on the bus to sing. Read More