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Featured Piano Teachers Near Westminster, CO

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Here are just a few of the many teachers offering Piano lessons in Westminster . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Jenna M

Instruments: Piano Voice

I am a positive, energetic instructor and performer who loves working with students of all ages and backgrounds. I completed my bachelor's in music performance at the University of Wyoming in 2014, and have just completed my first semester as a Master's student in Jazz Studies at the University of Northern Colorado. In my time as a performer I have enjoyed performing many roles such as Yum-Yum in Gilbert and Sullivan's Mikado, Fiona in Brigadoon, and Marty in Grease. Read More

Richard S

Instruments: Piano Guitar Violin Trumpet Trombone Saxophone Flute Clarinet

My teaching experience began in Webster, South Dakota as their high school band director for 11 years. I was then invited to move back to my college town of Brookings, South Dakota to be their middle school band director. I moved to Sioux Falls and taught in the Catholic School System for a number of years. Then I was fortunate to teach my last 11 years in beautiful southern California where I taught instrumental music at elementary to high school levels. Read More

Patrick M

Instruments: Piano

I'm looking for motivated students who want to quickly and efficiently improve their piano. I've taken lessons privately, at college (William and Mary in Virginia), and a great interest in empowering people. I have an analytical mind so hopefully that helps break down a complex problem into something very approachable. Let's meet, set our goals and I can be as independent as you need. I have played piano for 25 years and performed for singers, soloists, and in solo concerts as well. Read More

Andrea W

Instruments: Piano Voice

I have 8 years of experience teaching music lessons, to children as young as three through senior adults. I have instructed voice and general music at the middle school, high school, and college level. I serve as piano and voice instructor for the Loveland Academy of Music, and teach both instruments at my home studio and in my students' homes. I am confident in introducing music lessons to beginners, as well helping hone an advanced student's skills. Read More

Tyler A

Instruments: Piano Guitar Drums Bass Guitar Music Keyboard Electric Guitar Acoustic Guitar

I specialize in finger style guitar therfore i like to spend a small portion introducing students to different kinds of picking techniques. Ialsoexplore improvisation and song structure concepts in variousdifferent styles of music. I like to dedicate a portion of the end of the lesson time to something the student has really wanted to learn that week; like a specific song, lick, or concept . Hope to hear from you, thanks! Read More

Carly R

Instruments: Piano Violin

I am a passionate and driven leader striving to bring light to the world through music. I started piano with my grandma when I was two and picked up the violin when I was eight. I was graced with a lot of opportunities to perform in middle school and high school with fiddle groups and jazz fusion groups as well as a quartet, playing weddings and special functions before I entered my undergrad. Read More

Teacher In Spotlight

Jeff V

Instruments: Piano Guitar Trumpet Trombone Organ Synthesizer Ukulele Recorder Euphonium Music Keyboard Acoustic Guitar

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
My Masters Degree is in Music Education with a Piano emphasis. I was playing trombone in the large ensemble, but taking private studio lessons on piano. I chose music education as I was already 17 years into a thriving teaching career. Earning a masters degree in education would help provide me with more strategies to be effective in my teaching relationship with students. As long as you are majoring in a music study, performance is a big part of your program. I still perform quite frequently, with and without students. Sharing this passion through education allows the passion to spread and flourish.

What do you think is the hardest thing to master on your instrument?
That is a relative question, based on the level a student is playing. Beginners often struggle to get two hands to play independently of each other. It can also be a challenge to move into a triple time signature. More advanced students sometimes find it a challenge to bring musical expression into a technical piece with phrasing, dynamics and tempo. Playing at a consistent tempo and not rushing can be a challenge, especially in performance situations. The piano is a very expressive instrument, great for solo and accompanying. Putting it all together is exciting!

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
Yes, I do use specific curriculums in the interest of making sure all the bases get covered. I have used most of the major ones through the years, but have primarily narrowed it down to a couple now, at least for the beginners and intermediates. Depending on progress and efficiency of learning, I will make a choice of which method I think may be beneficial to a particular student. More advanced students begin to choose a direction their musicianship is leading them, so curricular choices become more varied.

What does a normal practice session look like for you?
Students are given 3-4 books to work out of - Technique, Theory, Piano Literature (where everything is ties together into actual songs) and Performance. Practice sessions should begin with some technical studies for warm-up of fingers and mind. These are very gradual in their approach to technique - fun little exercises suited appropriately for the level where a student is currently. Upon completing the technique practice, move into the piano 9lesson) book. I would suggest playing the song through as far as you can comfortably go, making note of anything that needs work. Then, go back and work your way through the problem spots slowly. Pick out just the tiniest part of that spot until you can play it well. Then add some context to it until it can be played well, three times in a row preferably. This little fixit session should be applied each day until the song can be played all the way through with no mistakes.

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