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Featured Piano Teachers Near Westminster, CO

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Here are just a few of the many teachers offering Piano lessons in Westminster . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Bill H

Instruments: Piano Organ

I thoroughly enjoy teaching piano to others so that they themselves may grow stronger not only as a musician but as a person. Getting students to set goals and reach them in terms of practicing and learning new pieces is a challenge. I like to break up larger goals into smaller tasks. I also believe in doing things right, which usually means slowly. I usually start with different warm-ups, go onto old music, and finally onto new music. Read More

Richard S

Instruments: Piano Guitar Violin Trumpet Trombone Saxophone Flute Clarinet

My teaching experience began in Webster, South Dakota as their high school band director for 11 years. I was then invited to move back to my college town of Brookings, South Dakota to be their middle school band director. I moved to Sioux Falls and taught in the Catholic School System for a number of years. Then I was fortunate to teach my last 11 years in beautiful southern California where I taught instrumental music at elementary to high school levels. Read More

Anne F

Instruments: Piano

For the past 30 years, I have been teaching students of all ages in my home and in their homes. I have had funny twin boys, serious adults who don't really care much for theory and teenage girls. I even was lucky enough to have as a student a young lady who was crowned Miss Colorado. When I began teaching, students always came to my home. There was a time I was teaching 50 students and had to have two separate recitals-it was great! Read More

Sau Yee T

Instruments: Piano

My teaching style is instill the love of music in students. I do want my students to grow up and still playing piano because they love to play, not because their parents forced them to play. I want them love piano from the bottom of their hearts. In order to achieve that, I adjust the material according to the student's progresses. I do not mind skipping levels if the student has demonstrated previous knowledge or skills to go to a more advanced level. Read More

Evan P

Instruments: Piano

Every student has unique needs. Any student will succeed if the instruction is tailored to their learning processes. Since every student learns in a different fashion, it is necessary to use both traditional methodology and Suzuki methodology in the studio. Each student is placed in the program that best suits their learning needs. My instruction is an blend of traditional western pedagogy and Suzuki pedagogy that is uniquely customized to the student. Read More

Jordan T

Instruments: Piano Trombone Clarinet Drums Bass Guitar Euphonium Tuba Piccolo Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Keyboard

Since I have had many different teachers in many different areas of my musical life, my philosophy is to be flexible and open as an instructor. I have learned many different methods and techniques, and depending on the type of lesson I'm teaching, I use whatever methods are relevant. Whether I'm teaching rock music, orchestral music, or even marching band techniques, my goal is to give students the skills and tools they need to have fun and be successful. Read More

Teacher In Spotlight

Jeff V

Instruments: Piano Guitar Trumpet Trombone Organ Synthesizer Ukulele Recorder Euphonium Music Keyboard Acoustic Guitar

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
My Masters Degree is in Music Education with a Piano emphasis. I was playing trombone in the large ensemble, but taking private studio lessons on piano. I chose music education as I was already 17 years into a thriving teaching career. Earning a masters degree in education would help provide me with more strategies to be effective in my teaching relationship with students. As long as you are majoring in a music study, performance is a big part of your program. I still perform quite frequently, with and without students. Sharing this passion through education allows the passion to spread and flourish.

What do you think is the hardest thing to master on your instrument?
That is a relative question, based on the level a student is playing. Beginners often struggle to get two hands to play independently of each other. It can also be a challenge to move into a triple time signature. More advanced students sometimes find it a challenge to bring musical expression into a technical piece with phrasing, dynamics and tempo. Playing at a consistent tempo and not rushing can be a challenge, especially in performance situations. The piano is a very expressive instrument, great for solo and accompanying. Putting it all together is exciting!

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
Yes, I do use specific curriculums in the interest of making sure all the bases get covered. I have used most of the major ones through the years, but have primarily narrowed it down to a couple now, at least for the beginners and intermediates. Depending on progress and efficiency of learning, I will make a choice of which method I think may be beneficial to a particular student. More advanced students begin to choose a direction their musicianship is leading them, so curricular choices become more varied.

What does a normal practice session look like for you?
Students are given 3-4 books to work out of - Technique, Theory, Piano Literature (where everything is ties together into actual songs) and Performance. Practice sessions should begin with some technical studies for warm-up of fingers and mind. These are very gradual in their approach to technique - fun little exercises suited appropriately for the level where a student is currently. Upon completing the technique practice, move into the piano 9lesson) book. I would suggest playing the song through as far as you can comfortably go, making note of anything that needs work. Then, go back and work your way through the problem spots slowly. Pick out just the tiniest part of that spot until you can play it well. Then add some context to it until it can be played well, three times in a row preferably. This little fixit session should be applied each day until the song can be played all the way through with no mistakes.

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