Flute Lessons in Modjeska, CA

Instruments: Piano Flute

I like to challenge my students to be the best they can be as musicians. For the serious candidates, inspiration is a necessity! On top of lessons they are encouraged to grow by listening to other musicians learning from them. I value the teacher and student relationship. Most of the time I feel out what the client would do well with. (A lot of guidance or a lot of freedom vice versa) I see myself operate more as an accountability coach in my teaching. Read More

Instruments: Piano Flute

As a professional flautist, performing and recording artist and teacher, Ljiljana is currently the principal flautist of the Los Angeles Valley Symphony Orchestra, Celestial Opera in Pasadena, "Casa Italiana" Opera Company, works as a flute teacher, freelance performer, and is a member of several chamber groups in Los Angeles. She also teaches music & movement classes in many preschools in Los Angeles area as well as beginners/intermediate piano.           Read More

Instruments: Saxophone Flute

My teaching experience started in 2009 for a few private music schools. Right after I graduated from Conservatory I taught in schools that focused on classical studies specificly designed for young students interested in pursuing a career in orchestral and enseble playing. In 2010 I joined the team of faculties at Magicamusica where I learned about innovative propaedeutic methods used in modern teaching. Read More

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Organ Synthesizer Harp Accordion Harmonica Lap Steel Guitar Banjo Ukulele Mandolin Recorder Lute Electric Violin Fiddle Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Shakuhachi Oboe Bassoon English Horn Conga Latin Percussion Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar

For beginning students who are children, I typically start with Hal Leonards Essential Elements book, as well a basic understanding of music. Once the student has progressed to have a nice grasp of the fundamentals of music, I usually begin to introduce solo repertoire appropriate for their first recital performance. I also believe in the importance of listening to as many professional recordings as possible of the instrument the student is taking lessons on. Read More

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Saxophone Flute Clarinet Drums Bass Guitar Synthesizer Harmonica Recorder Electric Violin Fiddle Piccolo Oboe English Horn Keyboard

I teach combination of the Suzuki method and the Hungarian style (stressing the natural, comfortable, painless, tension free method). For young students, the Suzuki method is great, since the repertoire is all fun! Also the CD that comes with every level is vital! Children enjoy and benefit from that. I am an audiophile, so I can set up students with a quality hifi system on the cheap - this is so vital in Suzuki method, as he stated in his book, Nurtured With Love. Read More

Instruments: Piano Flute Music Keyboard

Aim for 5 to 6 days of practice EVERY week. Consistency is key, even if it is only for 15 minutes! Whatever you do, make sure you practice right after your lesson AND the day following - retention will be 90%! When practicing, aim 3 times in a row flawlessly. For longer and more challenging pieces, be sure you are practicing in small sections. A fun way to do this is through the Penny Game or cards and counters ask me how! Read More

Instruments: Piano Guitar Voice Violin Cello Viola Flute Drums Bass Guitar Organ Electric Violin Double Bass

I have an interactive yet focused style of teaching. I can(but don't recommend) to use the Suzuki method. I feel that all aspects related to the instruments weigh much importance in teaching the student. However, with the Suzuki method, the student's primary focus is to learn pieces rapidly and climb the level of difficulty as fast as possible. This prevents him/her to fully understand and analyze the piece and lesson and it can also turn the student away from pursuing the instrument further.  Read More