Featured Cello Teachers In Washington
Yolandi C
Instruments: Piano, Guitar, Voice, Violin, Cello, Viola, Trumpet, Trombone, Saxophone, Flute, Clarinet, Drums, Bass Guitar, Harmonica, Ukulele, Recorder, Electric Violin, Fiddle, Double Bass, Keyboard, Electric Guitar, Classical Guitar, Acoustic Guitar
My motto is my students create their own lesson. I formulate lesson plans off of the styles of music you are most interested in. If my student has a more "just for fun" attitude, the lesson will inevitably be a more light hearted feel. If the student would like to focus on more technicalities, that as well is a different approach. However, I do have a more structured plan for younger students. Read More
Haeyoon S
Instruments: Piano, Cello
Haeyoon has taught for over 10 years, both cello and piano, to students of all ages from 3-50 years old. She welcomes students of all ages and all stages of life. Read More
Sonja M
Instruments: Cello
Learning to play the cello is hard work, but it is fun work! Playing music solo or in a group setting is a unique experience. All my students play chamber music along with their private lessons. I encourage my students to participate in our semi-annual recitals. Recitals are an important milestone to mark progress and share the gift of music with listeners. I love working with my students to find their own creativity in music. Read More
Melanie V
Instruments: Piano, Voice, Violin, Cello, Trumpet, Flute, Clarinet, Drums, Ukulele, Mallet Percussion, Orchestral Percussion, Conga, Djembe
I tailor the individual methods to each student's needs! Read More
William S
Instruments: Cello
My teaching method incorporates elements of the Russian school of cello playing (what I myself grew up learning) in addition to elements of Suzuki style aural training and Alexander Technique total body awareness. Often teachers just focus on the physical mechanics of cello playing and wait to teach aural skills or music theory until the student enters a collegiate music program. This inhibits the student's natural potential for growth and fails to teach the student comprehensive musicianship. Read More
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