Flute Lessons in Maspeth, NY

Instruments: Piano Guitar Voice Flute Drums Synthesizer Ukulele Mallet Percussion Orchestral Percussion Conga Latin Percussion Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar

My methods of teaching have been refined over the years and I've found it that methods of teaching have to be tailored to each student. For every lesson I develop a lesson plan that organizes the lesson so there is no time wasted. As I get to know the student more, I develop a lesson plan specific to the student and work on the things that need work but as well as to keep the student motivated by performing and memorizing. Read More

Instruments: Piano Trumpet Saxophone Flute Clarinet Bass Guitar Recorder Double Bass Music

For beginning woodwind students, I have had success using the Rubank method books as a starter. Alongside a method book, I like to work on material chosen by the student, as well as my own supplemntal exercises. It is important for the student to understand the musical concepts associated with the repertoire, as well as focusing on performing well. I also prefer to have my students keep a practice log book, in order to track their progress. For piano and music theory, I like to use the John Thompson method for beginner students, and the Bastien Piano Literature series for more advanced students. Read More

Instruments: Saxophone Flute Clarinet

I have taught at educational institutions including; Drew University in Madison New Jersey (saxophone, improvisation, and jazz ensemble); The International School of Brooklyn teaching music to children ages 3 to 7 years utilizing the Orff method; and the Kulanu after-school enrichment program in Stamford CT, where I coached teen jazz and klezmer ensembles. This past school year I was on faculty at the SAR Academy in Riverdale New York, where I taught woodwind classes to 3rd, 4th, and 5th graders. Read More

Instruments: Piano Saxophone Flute

I use a few different method books, and while they are very useful for attaining the building blocks of technique and knowledge young and beginning musicians need but I like to go beyond what reading books has to offer. My goal is to show my students everything there is - reading, theory, and technique are all important but so is creation, improvisation, learning through sound and finding what inspires them. Read More

Instruments: Flute

While it is a learning environment, I hope for my students to enjoy and love music that they're playing. I believe that you must enjoy the process in order to make or see progress. Therefore, it is extremely important that we set realistic goals for each of their own. Accomplishments help the students and makes them eager to learn more. I like to tailor my teaching to my students' wants and needs and bring in pieces that they're interested in. Read More

Instruments: Piano Guitar Saxophone Flute Synthesizer Keyboard

My philosophy is mainly individualistic. If a student is young, there are many personalities you may encounter- some naturally focused, others not. While I will still aim to deliver essentially the same content, my approach with each child varies based on their attention span and focus. A lack of focus often hints at a creative bent, so I may listen a bit more than with a student naturally prone to taking directions. Read More

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Synthesizer Ukulele Recorder Electric Violin Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Music Keyboard Electric Guitar Acoustic Guitar

Effective music education is both developmentally and culturally appropriate: By working with the student to understand their interests, I hope to provide them with an experience that will enrich their musical and social life outside of the work we do together. Through infancy, I believe Music Learning Theory is effective for developing musical and linguistic skills. If a student in toddlerhood/childhood shows that they have a preferred way to express themselves musically, I will tailor lessons around the Kodaly (voice), Orff (instrumental), or Dalcroze (dance) philosophies. Read More