Guitar Lessons in Flourtown, PA

Instruments: Guitar Violin Cello Viola Bass Guitar Electric Violin Electric Guitar Classical Guitar Acoustic Guitar

For my string students learning violin, viola or cello I typically use the Suzuki method books. There are times that I might recommend the Essential Elements series for those who are just starting off, but at some point I switch the student over to Suzuki. Another supplemental book I encourage my students to get when they get to a certain level is Essentials for Strings. This is primarily a scale book, but it also contains a number of other helpful exercises and resources. Read More

Instruments: Piano Guitar Bass Guitar Mandolin Keyboard Electric Guitar Acoustic Guitar

When teaching classical piano, I use technique books like Hanon, Pischna for advanced beginners and intermediate. Material can range from Bach, Beethoven, Schumann etc. Contemporary methods usually from an approved song book or possibly a show tune. All students will learn from the previously method technique books. Beginners we will use some method book like Alfred or something similar. Guitar: Mel bay or something for sight reading. Wolfhardt for intermediate students. Read More

Instruments: Guitar Synthesizer Music Electric Guitar Acoustic Guitar

I take a student-led approach where I assess what a student is interested in and then create a repertoire of music for them to learn from. I like to teach concepts through example by showing students songs and pieces related to what they're working on. I try to start from the ground up as much as possible. I take students from learning notes on the strings to playing scales and chords, all the way to having them play and write advanced material. Read More

Instruments: Guitar Drums

For young beginning drum students, I begin with stick control exercises on drum pad. I teach music notation. They will learn how to read drum music as well as some general music theory that will help them to understand universal music theory a well. I teach the styles of rock, pop, folk, blues, and jazz style as well as marching band style. If you are a intermediary student in either instrument I will access your level and continue as I see fit to take you to the next level of expertise. Read More

Instruments: Piano Guitar Saxophone Flute Clarinet Synthesizer Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Acoustic Guitar

I began playing piano for church choirs in my hometown. During my college years, my private lessons experience began when I would give pointers to my fellow music majors who had to pass piano proficiency as part of their degree requirement. Furthermore, I am from the school of thought of concentrated practice. I help students identify the length of time they can concentrate without exhausting their attention. I always want students to have in mind the goals they want to accomplish in taking lessons such as recitals, competitions, showcasing and/or enrichment. Read More

Instruments: Piano Guitar Voice Keyboard Djembe Acoustic Guitar

As a singer who has already experienced some of the traumatic effects of misuse and overuse of singing, I believe that health comes first. Anyone can learn to sing but there are so many significant factors that most teachers forget to include in their training. I believe that any one can have or learn to have talent, but the singer who has the awarness and understanding of taking care of that talent will benefit more than they can imagine. Read More

Instruments: Guitar Bass Guitar Ukulele Mandolin Electric Guitar Acoustic Guitar

Right around age six, I discovered that my hands were finally big enough to fret a guitar! I spent the next decade banging away on my own amongst the redwoods north of San Francisco. Bass, keys, mandolin, and vocals soon slipped into my repertoire, filling the space where a proper social life might otherwise have been. I swore to never go pro, lest it ruin the fun. For most of this time, I had assumed that good music died when The Beatles broke up, but in high school I flung my mind open to the stylistic diversity of the digital age. Read More