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Mel E In Home
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Instruments: Piano, Guitar, Voice, Violin, Cello, Viola, Drums, Bass Guitar, Organ, Accordion, Harmonica, Banjo, Ukulele, Mandolin, Fiddle, Keyboard, Electric Guitar, Classical Guitar, Acoustic Guitar
Styles: Classical, Jazz, Pop, Rock, Blues, Folk, Country, Gospel, Spirituals, Reggae

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Mel E   In Home
Instruments: Piano, Guitar, Voice, Violin, Cello, Viola, Drums, Bass Guitar, Organ, Accordion, Harmonica, Banjo, Ukulele, Mandolin, Fiddle, Keyboard, Electric Guitar, Classical Guitar, Acoustic Guitar
Styles: Classical, Jazz, Pop, Rock, Blues, Folk, Country, Gospel, Spirituals, Reggae

Where I Teach:
In Your Home
Ages Taught: 7-80
Levels Taught:

EMAIL US OR CALL 877-687-4524

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ABOUT
Degrees / Training / Special Info:

BA Allegheny College, Philosophy The Exceptional Child Course, Notre Dame College

Awards:

1968 Allegheny College, Graduated: Phi Beta Kappa Magna Cum Laude 2012 Author of six music theory books, numerous technical music articles and three songbooks, separately edited for piano, guitar, mandolin, violin and banjo and come with companion instructional CDs.

Overview:

Hi. I live in central New Hampshire and am a private music instructor. I teach both at my students' homes and at mine. My teaching studio is the music room at my home. It's a very comfortable space, equipped with a studio upright (acoustic) piano, a Hammond organ, a keyboard, amps, several guitars and various other stringed instruments, tuners and the like. I've been involved with music in one manner or another since I was six years old: eight years of private piano lessons, music courses in college (grad with a BA in Philosophy), study and subsequent employment with a New England Conservatory of Music graduate, extensive self-study on numerous instruments plus intermittent performances. I've also since become familiar with Finale music notation software.

EXPERIENCE

I've been in the role of a teacher for most of my adult life. Before turning to full-time music instruction in the late 1990s, I worked as a trainer and curriculum developer for a number of computer software companies. Those experiences have greatly contributed to my comfort and confidence in teaching others. I've taught music privately for decades, beginning in the 1960s. With some interruptions here and there, I've continued on from then, teaching children as young as four and seniors as old as ninety-two. I would say that I've logged well over 30,000 lessons by now. I've also taught steadily at a number of retail music stores, over the period of around 20 years. Those lessons exposed me to all ages, personality types and skill levels.

METHODS USED

Here is a summary of my teaching principles, which I give to each of my new students when we begin lessons together. 1. The instruction process can only work well when the student is personally involved in improvement in their musical skills. If this involvement truly ends, so should the instruction. 2. Learning to play a musical instrument is comprised of many individual steps. Results typically appear gradually and periodically, and only after much specific practice. Regularity of lessons and practice sessions significantly contribute to bringing about these results. 3. Practice between lessons is essential to advancing, as gaining musical skill requires a continuous effort. The student must clearly understand this and commit to it. See my “Practice Tips” for helpful tips and techniques towards this end. 4. Responsibility for getting down to actual practice ultimately rests with the student. Developing a practice plan at the start of this venture is a good way to help ensure that routine practice actually takes place. 5. I will always try, in each lesson, to assign just the correct amount of material to be practiced for the next lesson. Sometimes, I will note that items are optional. Optional items should be worked on, if the prior material is all pretty well in hand. If the assigned material altogether is more than can be handled before the next scheduled lesson, the student should work hard on what he/she can in the available time. 6. I will determine the selection of materials and their order of inclusion in each student’s learning program. This means as well that I reserve the right to exclude suggested materials. So, a parent wanting to implement his or her own music education plan needs to understand and accept this. Please inform me of any manual, emotional, cognitive or learning exceptions that apply to yourself. Knowing this information will help immensely in my working with you. 7. If the lesson is being delivered at your home, please arrange for the environment to be relatively quiet throughout the course of the lesson. 8. No alcohol may be consumed during the lesson. 9. Try to be well rested at the time of each lesson. 10. I will be as imaginative and appropriate a music instructor for each of my students as possible.

LESSON STYLE

I would characterize my teaching style as "a steel hand in a velvet glove". I initially (and continuously) assess where my student is at as regards the instrument and general music understanding. I then determine which set and type of books are best suited. Drawing from an established and industry-standard level of music instruction books, I like to bundle a method book, a song book, a technic book and supplementary material as the usual et for my students. Typical publishers that I use are Hal Leonard, Faber And Faber, The FJH Music Company, Mel Bay Publications, Alfred Publications, Schaum Publications and others of this stature. Actual lessons are quite interactive, reviewing the prior week's assignments, determining what's been mastered and what needs more work and the like. Lessons are typically done one on one, although I have given group lessons as well. Lessons usually are one-half hour long and done weekly. When useful, lesson length and/or frequency vary from the usual. I attempt o impart understanding of musical principles present in the material being learned, along with excellence in the playing of these pieces.

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