{"id":4077,"date":"2017-06-09T16:19:01","date_gmt":"2017-06-09T20:19:01","guid":{"rendered":"https:\/\/www.musikalessons.com\/blog\/?p=4077"},"modified":"2023-01-25T13:40:22","modified_gmt":"2023-01-25T18:40:22","slug":"piano-fingering-exercises","status":"publish","type":"post","link":"https:\/\/www.musikalessons.com\/blog\/2017\/06\/piano-fingering-exercises\/","title":{"rendered":"Piano Fingering Exercises: Scales, Chords, and More"},"content":{"rendered":"

The piano is an instrument capable of producing an impressive variety functions within music. Musicians use the piano\u2019s keyboard to do everything from creating the frameworks of great symphonic works down to writing melodies for the choruses of simple pop songs. The piano also serves as a direct link to the world of music theory. Every serious musician should get at least somewhat familiar with the keyboard, and learning some piano fingering exercises is a great way to get there. Today we\u2019re going to walk you through a few exercises that will help build muscle memory, strength, independence, and flexibility within your hands. To get the full benefit from these exercises, we recommend working with a keyboard that has weighted keys and a sustain pedal if you don\u2019t have an acoustic piano. Also, you\u2019ll need a metronome which you can either find for free through a quick internet search or through an app on your smartphone.<\/p>\n

 <\/p>\n

 <\/p>\n

The Music Theory Connection<\/strong><\/h2>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

For these exercises, we\u2019re going to show you how music theory ties into the way you\u2019ll use your fingers to play the piano. Every musician should be familiar with the piano\u2019s keyboard because it serves as a direct visual representation of what music theory looks like. The piano keys are perfect visual representations for the notes, scales, and intervals found in music, and what you learn here can inform the way you understand any pitched instrument. Effective piano fingering exercises deliver not only strength and flexibility to a player, but also a greater understanding of how music works in general.<\/p>\n

 <\/p>\n

 <\/p>\n

\u00a0<\/strong><\/p>\n

Fundamentals<\/strong><\/h2>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

The best place to start introducing piano fingering exercises is major and minor scales. Scales are the step-by-step sequencing of the notes found in keys. Basic scales are a great way to teach your hands how to play independently, and they\u2019re a gateway towards understanding basic chords and how to play within keys.<\/p>\n

 <\/p>\n

All major and minor scales are built using simple formulas that never change. These formulas all revolve around a series of half and whole steps, or intervals, found on the piano\u2019s keyboard. Here\u2019s the formula you\u2019ll need to memorize for the building of major keys. We\u2019ll start with the example of the C major scale:<\/p>\n

 <\/p>\n

W-W-H-W-W-W-H<\/strong><\/h2>\n

C\u00a0 D\u00a0\u00a0 E\u00a0\u00a0 F\u00a0\u00a0 G\u00a0\u00a0 A\u00a0\u00a0 B\u00a0 C<\/strong><\/h2>\n

 <\/p>\n

 <\/p>\n

Starting with the note of C, if you follow the formula exactly you\u2019ll get the notes in the scale you see above. Try building the major scale in a few different keys around the piano.<\/p>\n

 <\/p>\n

A similar formula can be used to build natural minor scales:<\/p>\n

 <\/p>\n

<\/h2>\n

W-H-W-W-H-W-W<\/strong><\/h2>\n

\u00a0A\u00a0\u00a0 B\u00a0 C\u00a0\u00a0 D\u00a0\u00a0 E\u00a0\u00a0 F\u00a0\u00a0 G\u00a0\u00a0 A<\/strong><\/h2>\n

\u00a0<\/strong><\/p>\n

Try building a few minor scales in different keys around the piano.<\/p>\n

 <\/p>\n

Now that we\u2019ve covered how to build major and minor scales, let\u2019s go over what fingers to use.<\/p>\n

 <\/p>\n

\u00a0<\/strong><\/p>\n

C, D, E, G and A Major and Natural Minor scales<\/strong><\/h2>\n

\u00a0<\/strong><\/p>\n

If you\u2019re familiar with the Circle of 5ths, these keys are the first five keys on the sharp side of the chart. Moving up from C to G to D to A and finally to E, we\u2019ll add one sharp into the scale for every major scale we play. The fingers for these scales are all the same, making these major and minor scales great piano fingering exercises. Here are the fingering patterns you\u2019ll need to know for both hands:<\/p>\n

 <\/p>\n

Fingerings (LH):\u00a0 54321321<\/p>\n

Fingerings (RH): 12312345<\/p>\n

 <\/p>\n

C Major:<\/strong><\/p>\n

Notes: C, D, E, F, G, A, B, C<\/p>\n

\"C<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

C Minor:<\/strong><\/p>\n

Notes: C, D, Eb, F, G, Ab, Bb, C<\/p>\n

\"C<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

G Major:<\/strong><\/p>\n

Notes: G, A, B, C, D, E, F#, G<\/p>\n

 <\/p>\n

\"G<\/p>\n

 <\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

G Minor:<\/strong><\/p>\n

Notes: G, A, Bb, C, D, Eb, F, G<\/p>\n

\"g<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

D Major:<\/strong><\/p>\n

Notes: D, E, F#, G, A, B, C#, D<\/p>\n

\"D<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

D Minor:<\/strong><\/p>\n

Notes: D, E, F, G, A, Bb, C, D<\/p>\n

\"D<\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

A Major:<\/strong><\/p>\n

Notes: A, B, C#, D, E, F#, G#, A<\/p>\n

\"A<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

A Minor:<\/strong><\/p>\n

Notes: A, B, C, D, E, F, G, A<\/p>\n

\"A<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

E Major:<\/strong><\/p>\n

Notes: E, F#, G#, A, B, C#, D#, E<\/p>\n

\"E<\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

E Minor:<\/strong><\/p>\n

Notes: E, F#, G, A, B, C, D, E<\/p>\n

\"E<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

The middle, or 3, fingers should always line up, so if they don\u2019t, stop and try again. We recommend playing extremely slow to start with until you begin to feel the more confident. As soon as you can, start playing with a metronome. Working with a metronome will help develop your internal rhythm in a powerful way.<\/p>\n

 <\/p>\n

 <\/p>\n

Other Scales<\/strong><\/h2>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Once you\u2019ve mastered the fingerings for major and natural minor scales in C, G, D, A, and E, you\u2019ll be ready to move on to tougher scales. As you can see, these scales don\u2019t share the same fingering patterns and the middle fingers don\u2019t always play together.<\/p>\n

 <\/p>\n

 <\/p>\n

B Major:<\/strong><\/p>\n

 <\/p>\n

Notes: B, C#, D#, E, F#, G#, A#, B
\nFingerings (LH): 4, 3, 2, 1, 4, 3, 2, 1
\nFingerings (RH): 1, 2, 3, 1, 2, 3, 4, 5<\/p>\n

 <\/p>\n

C#\/Db Major:<\/strong><\/p>\n

 <\/p>\n

Notes: Db, Eb, F, Gb, Ab, Bb, C, Db
\nFingerings (LH): 3, 2, 1, 4, 3, 2, 1, 3
\nFingerings (RH): 2, 3, 1, 2, 3, 4, 1, 2<\/p>\n

 <\/p>\n

D#\/Eb Major:<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Notes: Eb, F, G, Ab, Bb, C, D, Eb
\nFingerings (LH): 3, 2, 1, 4, 3, 2, 1, 3
\nFingerings (RH): 3, 1, 2, 3, 4, 1, 2, 3<\/p>\n

 <\/p>\n

\u00a0<\/strong><\/p>\n

F#\/Gb Major:<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Notes: F#, G#, A#, B, C#, D#, F, F#
\nFingerings (LH): 4, 3, 2, 1, 3, 2, 1, 4
\nFingerings (RH): 2, 3, 4, 1, 2, 3, 1, 2<\/p>\n

 <\/p>\n

G#\/Ab Major:<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Notes: Ab, Bb, C, Db, Eb, F, G, Ab
\nFingerings (LH): 3, 2, 1, 4, 3, 2, 1, 3
\nFingerings (RH): 3, 4, 1, 2, 3, 1, 2, 3<\/p>\n

 <\/p>\n

A#\/Bb Major:<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Notes: Bb, C, D, Eb, F, G, A, Bb
\nFingerings (LH): 3, 2, 1, 4, 3, 2, 1, 3
\nFingerings (RH): 4, 1, 2, 3, 1, 2, 3, 4<\/p>\n

 <\/p>\n

A#\/Bb Minor:<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Notes: A#, C, C#, D#, F, F#, G#, A#
\nFingerings (LH): 2, 1, 3, 2, 1, 4, 3, 2
\nFingerings (RH): 2, 1, 2, 3, 1, 2, 3, 4<\/p>\n

 <\/p>\n

B Minor:<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Notes: B, C#, D, E, F#, G, A, B
\nFingerings (LH): 4, 3, 2, 1, 4, 3, 2, 1
\nFingerings (RH): 1, 2, 3, 1, 2, 3, 4, 5<\/p>\n

 <\/p>\n

C#\/Db Minor:<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Notes: C#, D#, E, F#, G#, A, B, C#
\nFingerings (LH): 3, 2, 1, 4, 3, 2, 1, 3
\nFingerings (RH): 3, 4, 1, 2, 3, 1, 2, 3<\/p>\n

 <\/p>\n

D#\/Eb Minor:<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Notes: D#, F, F#, G#, A#, B, C#, D#
\nFingerings (LH): 2, 1, 4, 3, 2, 1, 3, 2
\nFingerings (RH): 3, 1, 2, 3, 4, 1, 2, 3<\/p>\n

 <\/p>\n

F Minor:<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Notes: F, G, Ab, Bb, C, Db, Eb, F
\nFingerings (LH): 5, 4, 3, 2, 1, 3, 2, 1
\nFingerings (RH): 1, 2, 3, 4, 1, 2, 3, 4<\/p>\n

 <\/p>\n

F#\/Gb Minor:<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Notes: F#, G#, A, B, C#, D, E, F#
\nFingerings (LH): 4, 3, 2, 1, 3, 2, 1, 4
\nFingerings (RH): 2, 3, 1, 2, 3, 1, 2, 3<\/p>\n

 <\/p>\n

G#\/Ab Minor:<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Notes: G#, A#, B, C#, D#, E, F#, G#
\nFingerings (LH): 3, 2, 1, 3, 2, 1, 3, 2
\nFingerings (RH): 3, 4, 1, 2, 3, 1, 2, 3<\/p>\n

 <\/p>\n

 <\/p>\n

Chords<\/strong><\/h2>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Knowing how to construct major and minor scales is hugely important because basic chords found in key signatures are built on each scale degree. Chord-building can also double as powerful piano fingering exercises that can give pianists increased finger strength and music theory knowledge. Basic chords, or triads, are built off of three notes. Both hands will use the 1, 3 and 5 fingers to play basic chords.<\/p>\n

 <\/p>\n

There\u2019s two ways we can think about building chords. The first way focuses on building chords in the context of keys. This means that we can build triads and move up and down in the context of a major and minor key using only the notes found in the scale. Using the key of G major for example, this means that the chords you\u2019ll play are G-B-D, A-C-E, B-D-F#, C-E-G, D-F#-A, E-G-B and F#-A-C.<\/p>\n

 <\/p>\n

The other way we can think about building chords is by using simple formulas of intervals to construct the basic chords found in major and minor keys. Major and minor keys are built off of a series of major, minor, and diminished chords that never change.<\/p>\n

 <\/p>\n

Major Chords: Root + Major 3rd (4 half-steps) + Perfect 5th (7 half-steps)<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Using C as an example, a major chord can be built by adding an E and G a major 3rd and perfect 5th above.<\/p>\n

\n

Minor Chords: Root + Minor 3rd (3 half-steps) + Perfect 5th (7 half-steps)<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Minor chords exactly mirror their major counterparts other than the third of the chord, which is a half-step lower. A C minor chord is C-Eb-G.<\/p>\n

 <\/p>\n

Diminished Chords: Root + Minor 3rd (3 half-steps) + Tritone (6 half-steps)<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Starting with a C, adding an Eb and Gb will result in a diminished chord.<\/p>\n

 <\/p>\n

 <\/p>\n

We\u2019re going to show you a way to turn your chord-building knowledge into some helpful piano fingering exercises, but first let\u2019s talk about a way to think about how chords relate to each other within keys. You\u2019ll want to rely on a combination of the two chord-building methods we discussed.<\/p>\n

 <\/p>\n

 <\/p>\n

\u00a0<\/strong><\/p>\n

Roman Numeral Analysis<\/strong><\/h2>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

The order of major, minor, and diminished chords found within keys never changes, so we can assign each chord its own unique Roman numeral to help us identify its place within a key. All major keys contain the following sequence of major and minor chords. The smaller numerals represent minor chords while the larger ones represent major chords. Any chord with a small circle beside it represents a diminished chord.<\/p>\n

 <\/p>\n

 <\/p>\n

Major Keys<\/strong><\/h2>\n

\u00a0<\/strong><\/p>\n

I\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ii\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 iii\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 IV\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 V\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 vi\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 vii\u00b0<\/p>\n

 <\/p>\n

C Major Chord<\/strong><\/p>\n

\u00a0\"piano<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

D Minor Chord<\/strong><\/p>\n

\"d<\/p>\n

 <\/p>\n

\u00a0<\/strong><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

E Minor Chord<\/strong><\/p>\n

\"E<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

F Major Chord<\/strong><\/p>\n

\u00a0\"F<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

 <\/p>\n

G Major Chord<\/strong><\/p>\n

\"G<\/p>\n

\u00a0<\/strong><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

A Minor Chord<\/strong><\/p>\n

\u00a0\"A<\/strong><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

B Diminished Chord<\/strong><\/p>\n

\u00a0\"B<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Minor Keys<\/strong><\/h2>\n

\u00a0<\/strong><\/p>\n

i\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ii\u00b0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 III\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 iv\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 v\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 VI\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 VII<\/p>\n

 <\/p>\n

A Minor Chord<\/strong><\/p>\n

\u00a0\"A<\/strong><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

B Diminished Chord<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0\"B<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

C Major Chord<\/strong><\/p>\n

\u00a0\"piano<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

D Minor Chord<\/strong><\/p>\n

\u00a0\"d<\/strong><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

E Minor Chord<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0\"E<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

F Major Chord<\/strong><\/p>\n

\u00a0\"F<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

 <\/p>\n

G Major Chord<\/strong><\/p>\n

\u00a0\"G<\/strong><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

If you build triads on the scale degrees of major and minor chords, this is the way the chords are naturally organized.<\/p>\n

 <\/p>\n

 <\/p>\n

\u00a0<\/strong><\/p>\n

Turn Your Chord Knowledge Into Piano Fingering Exercises<\/strong><\/h2>\n

 <\/p>\n

 <\/p>\n

With the way we showed you above, you\u2019ll now be able to build basic chords and scales in any key in music. That\u2019s incredibly powerful knowledge that can inform your musicianship in new and meaningful ways. You can construct your own piano fingering exercises that put your chord knowledge into practice.<\/p>\n

 <\/p>\n

For example, starting from middle C you can create a finger exercise by arpeggiating the chords found in all the keys on both sides of the circle of 5ths. Or, starting from C, test your chord-building knowledge out and arpeggiate major, minor, and diminished chords chromatically step-by-step until you reach the C an octave above with both hands.<\/p>\n

 <\/p>\n

 <\/p>\n

Hanon Exercises<\/strong><\/h2>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Once you\u2019ve mastered scales and chords, you\u2019ll be ready for some advanced piano finger exercises. Pianists have turned to the Hanon book of piano exercises to help improve their playing for over 150 years. This book features 60 virtuosic exercises meticulously designed to increase strength, speed, flexibility, and power in a pianist.<\/p>\n

 <\/p>\n

Pianists who\u2019ve been playing for months or decades will have tons to work with in this helpful book. Play these exercises slowly to the steady click of a metronome, and don\u2019t move ahead until you\u2019ve completed each exercise in order. This book has remained popular for so long because it\u2019s basically a perfect book of piano fingering exercises.<\/p>\n

 <\/p>\n

 <\/p>\n

If you find that working on piano fingering exercises alone isn\u2019t giving you the results you\u2019re looking for, we recommend finding an experienced teacher<\/a> to work with. No book or Youtube video can replace the experience of learning directly from a patient and seasoned teacher.<\/p>\n","protected":false},"excerpt":{"rendered":"

The piano is an instrument capable of producing an impressive variety functions within music. Musicians use the piano\u2019s keyboard to […]<\/p>\n","protected":false},"author":9,"featured_media":3458,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[46,332,6],"tags":[186,128,8,85,133,11],"yoast_head":"\nPiano Fingering Exercises: Scales, Chords, and More<\/title>\n<meta name=\"description\" content=\"Piano fingering exercises are essential to learning and practicing good technique. 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