{"id":3662,"date":"2017-02-06T18:50:47","date_gmt":"2017-02-06T23:50:47","guid":{"rendered":"https:\/\/www.musikalessons.com\/blog\/?p=3662"},"modified":"2023-01-25T15:34:27","modified_gmt":"2023-01-25T20:34:27","slug":"soprano-audition-songs","status":"publish","type":"post","link":"https:\/\/www.musikalessons.com\/blog\/2017\/02\/soprano-audition-songs\/","title":{"rendered":"Soprano Audition Songs: Repertoire for Young Sopranos"},"content":{"rendered":"

\"sopranoCongratulations! You\u2019re a soprano who has been consistently studying voice<\/a> for a while and you feel ready to dive into the world of auditioning. Now comes the time to prepare a list of soprano audition songs in order to present yourself to an audition panel as the dedicated, well-rounded musician that you know yourself to be.<\/p>\n

 <\/p>\n

Typically, an audition panel will request that the singer present a \u201cpackage,\u201d a list of repertoire that meets the organization\u2019s specific requirements and shows off the singer\u2019s strengths and potential. These requirements might possibly include language, style, genre, tempo, and musical era. Though a singer rarely gets the opportunity to sing through an entire package during an audition, he or she should consider the following steps when deciding on audition repertoire in order to best prepare for a successful audition experience:<\/p>\n

 <\/p>\n

    \n
  1. Check and DOUBLE CHECK audition requirements\u2014the level of specificity of song choice will vary from company to company, so the singer must take the time to research requirements and prepare a package based on those exact specifications. That being said, more often than not one of your chosen soprano audition songs will meet more than one of these requirements. For example, \u201cHave peace, Jo\u201d from Mark Adamo\u2019s opera, Little Women<\/em>, fulfills not only a potential English language requirement but also a requirement for a 20th<\/sup> century composition.<\/li>\n<\/ol>\n

     <\/p>\n

      \n
    1. When choosing songs to offer, always choose repertoire that represents where you are in your vocal education NOW. Make sure each song represents roles that you could perform tomorrow, if need be, rather than \u201cstretch\u201d pieces that show future potential. While it\u2019s not entirely inappropriate to include one \u201cstretch\u201d piece, the majority of your package should be appropriate for your current abilities and vocal maturity.<\/li>\n<\/ol>\n

       <\/p>\n

        \n
      1. Prepare, prepare, prepare! The easiest way to eliminate audition-day nerves is to be as prepared as possible. Memorize, practice, and rehearse each song thoroughly before you even consider putting it in front of an audition panel. Research the composer as well as any background information related to each song. This step is often arduous but will make an enormous difference in the singer\u2019s professionalism.<\/li>\n<\/ol>\n

         <\/p>\n

          \n
        1. Many audition panels hire pianists to accompany the singers, meaning the singer most likely won\u2019t have the opportunity to rehearse with the pianist before auditioning. In most cases, these pianists are fantastic and have played the singer\u2019s chosen repertoire hundreds of times throughout his or her career. Keep in mind that the more obscure your audition selection, the less likely the pianist will be familiar with it. To do both your accompanist and yourself a favor, choose songs that are not incredibly difficult to sight-read if they fall outside the realm of standard audition repertoire.<\/li>\n<\/ol>\n

           <\/p>\n

            \n
          1. Audition panels rarely grant a singer more than seven to ten minutes to present his or her best possible singing. To ensure enough time to potentially sing more than one song if asked, try to choose repertoire that doesn\u2019t exceed four minutes.<\/li>\n<\/ol>\n

             <\/p>\n

            Soprano Audition Songs<\/h2>\n

             <\/p>\n

            Below, I\u2019ve listed a selection of soprano audition songs organized into categories based on potential specifications. These songs and arias are most appropriate for sopranos in their mid-teens to early-to-mid-twenties. While these songs represent a fraction of potential soprano audition repertoire, they will provide a starting point for any auditionee new to the process:<\/p>\n

             <\/p>\n

            The Younger Soprano<\/em><\/h4>\n

            \u201cThere Stands a Little Man\u201d from Hansel and Gretel <\/em>by Engelbert Humperdinck (English\/ German)<\/p>\n

            \u201cWhen I Have Sung My Songs\u201d by Ernest Charles (English)<\/p>\n

             <\/p>\n

            The Italian Standard\u00a0 <\/em><\/h4>\n

            \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>\u201cBel piacere\u201d by George Frideric Handel<\/p>\n

            \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cQuella fiamma\u201d by Benedetto Marcello<\/p>\n

             <\/p>\n

            The German Standard\u00a0 <\/em><\/h4>\n

            \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>\u201cNacht und Tr\u00e4ume\u201d by Franz Schubert<\/p>\n

            \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cWidmung\u201d by Robert Schumann<\/p>\n

            \u00a0<\/em><\/p>\n

            The French Standard\u00a0 <\/em><\/h4>\n

            \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>\u201cBeau soir\u201d by Claude Debussy<\/p>\n

            \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cApr\u00e8s un r\u00eave\u201d by Gabriel Faur\u00e9<\/p>\n

             <\/p>\n

            The English Standard
            \n<\/em><\/h4>\n

            \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cSure on this shining night\u201d by Samuel Barber<\/p>\n

            \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cLove\u2019s Philosophy\u201d by Roger Quilter<\/p>\n

             <\/p>\n

            The Operatic Standard <\/em><\/h4>\n

            \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cAch, ich f\u00fchl\u2019s\u201d from The Magic Flute <\/em>by W.A. Mozart (German)<\/p>\n

            \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cV\u2019adoro pupille\u201d from Julius Caesar <\/em>by George Frideric Handel (Italian)<\/p>\n

            \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cJe veux vivre\u201d from Romeo and Juliet <\/em>by Charles Francois Gounod (French)<\/p>\n

            \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cFair Robin I love\u201d from Tartuffe<\/em> by Kirke Mechem (English)<\/p>\n

             <\/p>\n

            The Singing-Actor <\/em><\/h4>\n

            \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>\u201cDeh vieni, non tardar\u201d from The Marriage of Figaro <\/em>by W.A. Mozart (Italian)<\/p>\n

            \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cUna donna a quindici anni\u201d from Cos\u00ec fan tutte <\/em>by W.A. Mozart (Italian)<\/p>\n

            \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cMein Herr Marquis\u201d from Die Fledermaus <\/em>by Johann Strauss (German\/ English)<\/p>\n

            \u00a0<\/em><\/p>\n

            The Audience Favorite<\/em><\/h4>\n

            \u201cQuando m\u2019en vo\u201d from La Boh\u00e8me <\/em>by Giacomo Puccini (Italian)<\/p>\n

            \u201cO mio babbino caro\u201d from Gianni Schicchi <\/em>by Giacomo Puccini (Italian)<\/p>\n

            \u201cDer H\u00f6lle Rache kocht in meinem Herzen\u201d from The Magic Flute <\/em>by W.A. Mozart (German)<\/p>\n

             <\/p>\n

            The Musical Theatre\/ Classical Crossover<\/em><\/h4>\n

            \u201cWhat Good Would the Moon Be?\u201d from Street Scene <\/em>by Kurt Weill (English)<\/p>\n

            \u201cEs lebt eine Vilja (Vilja\u2019Lied) from The Merry Widow<\/em> by Franz Leh\u00e1r<\/p>\n

            (English\/ German)<\/p>\n

             <\/p>\n

            The Folk Song
            \n<\/em><\/h4>\n

            *For younger and college-aged sopranos, folk songs require many of the technical skills needed to sing classical repertoire and are often a refreshing addition to an all-classical package:<\/p>\n

            \u201cThe Sally Gardens\u201d arranged by Benjamin Britten<\/p>\n

            \u201cShe\u2019s Like the Swallow\u201d arranged by Carl Strommen<\/p>\n

             <\/p>\n

            Additional Resources<\/strong><\/h2>\n

            \u00a0<\/strong><\/p>\n

            Anthologies devoted to specific styles and languages of soprano repertoire exist in abundance today. If you\u2019d like to explore additional potential soprano audition songs, here are a few options to check out at your local music library:<\/p>\n

             <\/p>\n

            The First Book of Soprano Solos \u2013 Parts I, II, and III <\/em>by Joan Frey Boytim<\/p>\n

            \u00a0<\/em><\/p>\n

            Twenty-Four Italian Songs and Arias for Medium High Voice <\/em>(Hal Leonard Corp.)<\/p>\n

            \u00a0<\/em><\/p>\n

            The French Song Anthology for High Voice <\/em>by Carol Kimball and Richard Walters<\/p>\n

            \u00a0<\/em><\/p>\n

            The Lieder Anthology for High Voice <\/em>by Richard Walters and Virginia Saya<\/p>\n

            \u00a0<\/em><\/p>\n

            Art Song in English: 50 Songs by 21 American and British Composers for High Voice <\/em>by Carol Kimball<\/p>\n

             <\/p>\n

            Benjamin Britten: Complete Folksong Arrangements for High Voice <\/em>(Boosey & Hawkes)<\/p>\n

            \u00a0<\/em><\/p>\n

            The G. Schirmer Collection of American Art Song<\/em><\/p>\n

            \u00a0<\/em><\/p>\n

            Italian Arias of the Baroque and Classical Eras for High Voice <\/em>by John Glenn Paton<\/p>\n

            \u00a0<\/em><\/p>\n

            Arias for Soprano: G. Schirmer Opera Anthology \u2013 Volumes 1 and 2<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

            Congratulations! You\u2019re a soprano who has been consistently studying voice for a while and you feel ready to dive into […]<\/p>\n","protected":false},"author":17,"featured_media":3663,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[54,46,334],"tags":[235,9,81,10,16,7,234,5],"yoast_head":"\nSoprano Audition Songs: Repertoire for Young Sopranos<\/title>\n<meta name=\"description\" content=\"Choosing repertoire can be difficult, especially for younger singers. 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