Voice Lessons in Bowie, MD

Instruments: Piano Guitar Voice Ukulele Keyboard Electric Guitar Acoustic Guitar

Roxanne is a singer-songwriter based in Richmond, Virginia. She earned her Bachelor of Music degrees in both Vocal Performance and Music Education from Longwood University in 2017. She has experience singing and performing many styles of music, including musical theatre, classical "opera", jazz, folk, and pop. She also considers herself a singer-songwriter and often performs at local venues in Washington, D.C. as well as at weddings. In addition to voice, Roxanne also plays guitar, piano, ukulele and bass. Read More

Instruments: Piano Voice Flute Recorder Piccolo Music Keyboard

I recently graduated with a Bachelor's in Music from University of Wisconsin-Milwaukee's Peck School of the Arts. I honed my craft of private teaching and also specializing in Balkan folk works, arranged for flute and secondary woodwinds. I plan to extend these endeavors, particularly my "infectious" personality towards students, as my former instructor Dr. Clippert exclaims. I am equally comfortable on the concert stage and gig floor, as I am in classroom and studio. Read More

Instruments: Piano Voice

I started teaching private lessons when I was in college. During my masters program, I also taught chorus. I have taught private lessons for more than 15 years since I first started. I teach all different levels from beginners to advanced levels, and I have also taught student between the ages of 4 and 80. Classical music for me is the foundation which can help students with many techniques. Using techniques rooted in Classical music can enable the student to be able to sing, play or even compose other style of music. Read More

Instruments: Piano Guitar Voice Keyboard Electric Guitar

Regardless of the instrument or competency level, I always incorporate ear training, music theory exercises, and games into each lesson. With the help of method books, videos,.and group sessions, I cater the curriculum to each student's strengths and weaknesses. Live performances are crucial to fully understanding any instrument, and so I encourage my students to perform live as much as possible--and I help them find those opportunities. I also make sure each student is well-organized and keeps a log of all assignments, so students (and parents) can track their progress. Read More

Instruments: Piano Voice

For beginning students who are children, I typically start with Alfred’s piano book library Essential Elements. I recommend Alfred’s Prep course for age of 5 to 6 years old. Once the student has progressed to have a grasp of the fundamentals, I will begin to introduce solo repertoire appropriate for their first recital performance. For adults, I try to find out what the student is interested in, and guide my instruction accordingly to keep the lessons engaging and fun, no matter their ability level. Read More

Instruments: Guitar Voice

Aestethics or "beauty" of the voice is subjective. In this method we favor the voice health. The ability to sing without fatigue. The confidence that we can trust in our instrument. The result of this work is after all a "beautiful" sound. And it will sound beautiful for every listener. "The acoustical result of a healthy sound is a beautiful sound. And we will agree in any culture that its beautiful because its an instinct aesthetic." (Eugene Rabine) The method itself comprehends 4 parts: 1) a theory about the functional system (how the instrument works) 2) a theory about the sensomotorial system (how one person learns a sensomotorial activity) And based on those 2 theories: 3) a specific Pedagogy 4) a specific Didactic I don't want to get too "technical" in this section, you're free to ask me if you have further questions about these aspect. Read More

Instruments: Piano Voice

My teaching experience dates back to my college days, as I began teaching private lessons part time 15 years ago, and have been consistently teaching students in my in my studio for the last 10 years. Encouraging regular practice on a consistent schedule is one of the key points I like to emphasize for younger students, as it tends to help the student progress and gain a passion for their instrument. I've also found that a combination of classical and modern music can go a long way in helping students enjoy the piano and motivate them to practice and continue to learn as well as sing . Read More