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Featured Piano Teachers Near Lakeville, MN

4047   5 STAR Musika Reviews

Here are just a few of the many teachers offering Piano lessons in Lakeville . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Gabe S

Instruments: Piano Voice

I'm a recent graduate of St. Olaf College who has just settled in St. Paul. I've had the opportunity to perform with Minnesota Opera and will soon be performing with the Gilbert and Sullivan Very Light Opera Company. My interests range from opera and sonatas to pop and jazz, and I love to explore new avenues of musical creativity. My studio exists to give beginning and intermediate singers and pianists of all ages the confidence and ability to produce high quality music with ease. Read More

Brian M

Instruments: Piano

Here are a couple of reviews from students: “Ian’s experience with Sebastian has been nothing short of wondrous. Sebastian has the unique ability to find a musical connection with a broad range of students, From prodigies to students like my son who simply want to know the joy of playing music. Sebastian is able to meet the students where he or she is at in their musical journey and coax that student to move forward at their own pace. Read More

Kimberly H

Instruments: Piano Guitar Voice Violin Cello

I try to strike a balance between music lessons being serious and being fun. I expect my students to practice almost every day and I expect that the parents will be part of keeping them accountable for scheduling that practicing. Lessons are a combination of learning technical skills and learning songs, which usually are mostly classical songs with a few contemporary songs thrown in for motivation. Read More

Lauren V

Instruments: Piano Voice Music Keyboard

I graduated from McNally Smith College of Music magna cum laude in 2011 with a bachelors in vocal performance. I played everywhere from Duluth. Minnesota to Lima, Peru: sharing the stage with artists as diverse as Andres Prado and Judi Donaghy. In addition to my McNally Smith Degree, I received master classes from Bobby McFerrin and the New York Voices. Passionate about giving back to the community, I instructed voice and piano students at the Urban Hub, a community center for inner city youth in Minneapolis MN. Read More

Dawne E

Instruments: Piano Violin Viola Fiddle Keyboard

My experiences teaching are fundamentally positive in nature. I know each student is different and unique in his or her way. I also teach lessons in German and/or English as needed. Setting a goal at the first lesson is important to me. I provide recitals twice a year for both strings and piano. For piano I offer a grand piano sent back from Vienna, refurbished and beautiful in tone. Read More

Lucas K

Instruments: Piano Keyboard

Starting with a couple of easy scales will teach the student how to position their hands properly and there they will learn how to cross their fingers as well. Even though a lot of this may not be "fun", it is the fundamentals of becoming a good piano player and will help tremendously in future lessons as well. After touching over all of that or even in the midst of it, I like to try to find a few beginning songs that will keep the student engaged and eager to learn more. Read More

Teacher In Spotlight

Robert S

Instruments: Voice Drums

What advice do you have about practicing effectively?
Always begin with a gentle 10-minute warm up before tackling any exercises. Divide your practice schedule into three equal parts: warming up, technical exercises and repertoire. Try to practice every day for at least 20 minutes and no more than one hour, particularly if you are a singer. It's important to protect your instrument and vocal health is a primary consideration. Stay relaxed at all times to avoid straining muscles or vocal chords. Use a metronome to practice exercise that require good time keeping. Contact your teacher if you have any questions about the material you are working on.

How do I know if my child is ready to start lessons?
When your child is able to focus at least 20 minutes a day, he or she is ready to start studying a musical instrument. Your child must also have a passion for the particular instrument of choice. He or she must understand that while music is fun, learning to play a musical instrument also requires work in the form of daily practice. It is best to begin when your child demonstrates a degree of self-discipline and shouldn't have to be reminded to practice every day. Your child is ready for lessons when he/she finds a teacher who provides technical expertise, stylistic proficiency and above all, inspiration.

Did you have a teacher that inspired you to go into music? How did they inspire you?
My first music teacher was a trumpet player who loved music. His passion for teaching was so strong that after my lesson on Saturday mornings, I would stay and watch him teach for the rest of the day. He was a very talented musician and a warm, loving person with high but reasonable expectations. I loved practicing because I loved him. He was the inspiration for my becoming a teacher and I still miss him very much. He taught me that success in life requires labor and I have labored successfully every since!

Why did you choose your primary instrument?
For me this is a complicated question as I am a multi-instrumentalist and vocalist. I chose each instrument I play--and they are all primary--because of the aesthetic experience and emotional profile each has to offer. I began with trumpet because it matched my personality at age 12. I enjoyed the metallic feel of holding the instrument, buzzing my lips to produce a sound and using my dexterous fingers to navigate scales, arpeggios and other technical gymnastics. I added drums to my cache at age 14 because of my strong affinity for the beat and pulse of jazz and contemporary music. It was satisfying to hit a variety of semi-pitched drums with two sticks and the flare of crash cymbals was a delight to my senses! My love for classical music pulled me to the string family when I studied the acoustic bass at age 16. Plucking strings felt like heaven and the challenge for me was using the bow. When I was 18 I added the flute to my repertoire because of the traditional literature and the ease of making music with a simple, focused air stream. My eventual affinity for the voice as a musical form of expression stemmed from listening to scat singers, especially Ella Fitzgerald. Having already played an arsenal of musical instruments, it was easy to translate my emotions to the voice and I used jazz improvisation to realize this. At the time there was no pedagogy for scat singing so I decided to write one and teach it as an accepted technique in the music education arena. At age 27, I made the voice my primary instrument and began a career teaching "Instru-Vocal" technique and coaching singers in jazz and all styles of contemporary music.

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